S2: Office Hours - The Evolution of the Fango Cover
Colors of the Dark
FANGORIA Podcast Network
4.8 • 528 Ratings
🗓️ 21 November 2019
⏱️ 8 minutes
🧾️ Download transcript
Summary
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| 0:00.0 | tonight's episode of office hours is brought to you by fangoria.com your homepage for horror is here |
| 0:10.8 | fangoria.com is now live and brimming with the digital horror content you crave fangoria.com is your |
| 0:17.5 | first destination for all the horror news of the day, featuring a constant |
| 0:21.3 | curation of the Fangoria team's favorite links from all across the internet. |
| 0:26.0 | They take their time to aggregate the most important news in horror in one space to save |
| 0:31.2 | you time and sanity. |
| 0:33.3 | You'll also find long form pieces, deep dives, and daily thoughts from the biggest names |
| 0:37.3 | in horror, as well as |
| 0:38.6 | exclusive access to the fangoria vault right now current subscribers to the magazine are automatically |
| 0:43.9 | members of fangoria.com and as promised the content of the new issues will forever be in print only |
| 0:50.4 | if you're not already a subscriber check out the the new Fangoria.com for yourself and see the |
| 0:55.9 | horror right before your eyes. Use the promo code Nightmare for 15% off right now. Again, that |
| 1:01.8 | promo code is Nightmare at Fangoria.com. Hello and welcome to office hours. |
| 1:15.5 | I'm your host, Dr. Rebecca McKendry. |
| 1:17.9 | Yesterday, Fangoria released the cover for the new issue. |
| 1:21.1 | This one features the upcoming Fangoria film title VFW and a happy holiday portrait of director |
| 1:27.0 | Joe Begos alongside producer and editor Josh |
| 1:29.8 | Ethier along with actor Matt Mercer who looks a little rough on the cover cover reveals were |
| 1:35.7 | always a time for celebration at Fangoria and always a time of stress as well would we get it done in |
| 1:41.6 | time if we were working with a studio on film images would we be able to find something captivating with the studio approved and would allow us to show in advance of the movie's release? It was often insane juggling between filmmaker and actors and marketing teams in the studio itself. Would the image hit with audiences? Should we select a big blockbuster film that |
| 2:02.3 | everyone would recognize and potentially really drive newsstand sales? Or should we support a much |
| 2:07.7 | smaller, less recognizable indie feature, knowing that we might take a hit on newsstands that |
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