All right, Gary. How's everything with you? How's your week been?

My, well, it's been, you know, like every other week, just down here, you know, daily prescribed exercise and the odd trip to the shops.

I can see your, you've got the tourist base

pedals out in the background. Yeah I have. But they may... That's because I'm gonna have to

start learning how to use them in case we actually go on tour. Yeah, absolutely.

And to explain what they are, what do they do?

They're tourist base pedals.

Well, they're, therefore, they're the progiest of prog, accoutraments, aren't they? They're when the bass player is so busy that he's got to actually play the

base with his feet because he's playing mandolin or a 12 string or something.

John Jones. John Jones played the place.

Everyone had them.

They were and it's they're actually they're a nightmare.

Let's be honest.

I mean, anyway, you can't be because obviously,

I mean, you can't be flash or anything because you've got to stand up at the same time.

But anyway, but actually we're going for something, we're going in a more traditional direction today, aren't we?

We'll have a fabulous Irish artist with more than do.

Yeah, who's brought out two albums since lockdown or an album of poetry that was amazing and

I mean she's a really fantastic person. A powerful voice. She's a really fantastic person.

A powerful voice, she's a very powerful voice,

I mean in every regard.

So let's get her on.

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