4.9 • 10K Ratings
🗓️ 6 December 2022
⏱️ 45 minutes
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0:00.0 | From Spotify, this is Dissect, long-form musical analysis broken into short digestible episodes. |
0:11.0 | This is episode 8 of our season-long examination of Tyler the Creator |
0:14.3 | I'm your host Cole Kushner. Oh, yeah. Last to Monday sec, we examined Igor's pivotal eighth track puppet. |
0:46.0 | Was there we heard Tyler come to the realization that he'd lost himself in his free will in his attempt to win his crush over. |
0:52.0 | This loss of self is then symbolized musically as a will in his attempt to win his crush over. |
0:52.6 | This loss of self is then symbolized musically |
0:54.8 | as midway through puppet Tyler disappears from the song. |
0:58.2 | We then heard a guest verse from Yea, |
1:00.0 | who in this critical moment plays the wise patriarch helping to resurrect Tyler and send him back on the correct path. |
1:06.1 | Yay's conclusive message to Tyler is to breathe on a song. |
1:29.0 | Read on a song comes to fruition in Igor's next track the subject of our episode today what's good But at some point you come to your senses. |
1:45.0 | What's good was produced by Tyler Oka and features guest vocals by Slow Thai. The song begins with a biting ascending riff that accents three pairs of minor second intervals. |
1:50.0 | An interval is the distance between two notes and a minor second interval is the closest two notes can be to each other. |
1:59.0 | Tyler uses three minor second intervals in the introductory riff for what's good, beginning with a G sharp and a, |
2:06.3 | jumping up to a C sharp and D, and jumping up again to a G sharp and A, now one octave higher. |
2:14.0 | The rift then scales back down using the same notes it climbed up with. |
2:19.0 | Now there's a few interesting things to consider about this opening riff, which will also be heard intermittently throughout the song. |
2:28.0 | First we notice the similarities between It and New Magic One, which also heavily featured the minor second interval |
2:34.3 | played on a distorted synth. |
2:36.0 | We also recall that New Magic Wand was preceded by the song Running Out of Time, |
2:46.6 | a heartfelt ballad that sharply contrasted with the aggression and violence of New Magic Wand. |
2:50.9 | When viewed as a pair, we observed how the two songs and their contrasting emotions |
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