4.9 • 10K Ratings
🗓️ 29 November 2022
⏱️ 39 minutes
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0:00.0 | From Spotify, this is Dicek, long-form musical analysis broken into short |
0:09.4 | digestible episodes. This is episode 7 of our season long examination of Tyler the Creator's Igor. |
0:15.0 | I'm your host Cole Kishna. Oh, yeah. Last time I dissect we examine Igor's seventh track, A Boy is a Gun. |
0:45.8 | There we witnessed several specific moments that exposed Tyler's dichotomous relationship with his crush. |
0:51.2 | This dichotomy was expressed through the song |
0:53.5 | Central Gun metaphor which Tyler said made him feel safe but also put him in |
0:57.2 | emotional danger. The song then ended with Tyler upset that his crush brought the |
1:01.5 | girl to their breakfast date, leading Tyler to |
1:03.8 | finally break things off with him. |
1:07.0 | This direct rejection I ain't gonna' my shub but stay the fuck away from me. |
1:14.0 | This direct rejection would have his thinking that Tyler is once and for all done with this guy. |
1:18.0 | And this is what makes what happens next all the more surprising, as Igor continues into its next track the subject of |
1:24.4 | our episode today puppet. |
1:28.0 | Ao. |
1:29.0 | I want to talk you and talk I want to walk to your front doing no after I stow my vehicle |
1:34.4 | drive to your city because we live in our apartment. Land at your driveway and put it in Paul. |
1:37.6 | Then do the third line of this verse the back to my house and we pack up a bicycle. |
1:40.3 | And we rock through the pole checks the sun. |
1:41.6 | Puppet was produced by Tyler Akoma with additional vocals by Santagold and |
1:45.4 | Jesse Wilson and a guest verse from Connie West. The beginning of |
1:49.1 | puppet rests on two musical techniques occurring simultaneously, |
1:52.8 | an ostinato and a descending chromatic baseline. |
... |
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