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Classic Ghost Stories

S0209 The Maker of Gargoyles by Clark Ashton Smith

Classic Ghost Stories

Tony Walker

Fiction, Drama, Science Fiction

4.9686 Ratings

🗓️ 24 October 2020

⏱️ 53 minutes

🧾️ Download transcript

Summary

S0209 The Maker of Gargoyles by Clark Ashton SmithClark Ashton Smith was born in 1893 in Long Valley, California and died in California in 1961. He began as a poet and wrote decadent, overblown Romantic poetry after the manner of Swinburne. He got early recognition for his work in California.Lovecraft loved him and with Robert E Howard and Howard Philips Lovecraft he was one of the big three writers of Weird Tales. Ray Bradbury was also a fan. A few months ago, I re-read Bradbury's *Something Wicked This Way Comes* , and I can see that Bradbury too was a lover of poetic, sometimes overblown language—like myself!Smith was clear that his use of language and rhetorical stylings as deliberate. He talked of trying to create a "sort of verbal black magic."He uses some obscure words, such as 'vans' for wings and 'ferine' which neither I, nor my spell-checker, had come across before. I must have heard the word before because I read all of these stories as a teenager. But I'd forgotten ferine. Turns out it's a version of feral: savage and untamed.I did enjoy the word 'troublously' and also 'lubricous'.Smith wrote poetry from the age of 11, and his first novel by the age of 14. He began to sell his stories aged 17. His influences were The Arabian Nights, and he was clearly entranced by fairy-tale realms. He is also influenced by Edgar Allen Poe and the Brothers Grimm as well as the classic Gothic novel Vathek. Interestingly, he loved the decadent poetry of Charles Baudelaire. He translated his poetry from French as Baudelaire in his turn had translated the works of Poe into French.He had a period of ill health. He was a correspondent of Lovecraft and also knew Jack London and Ambrose Bierce.Smith and Lovecraft used the strange names and ideas they conjured in mutually influenced stories. This 'open source' was Lovecraft's greatest gift to horror: he allowed other writers to build on his ideas and so the Cthulhu Mythos was created.Smith was a massively prolific author, but more or less gave up writing in the second half of his life.He then turned back to sculpting and painting. He nursed his mother and father during their final illnesses until finally is father died in 1937. Robert H Howard killed himself in 1935 and Lovecraft died of cancer in 1937. It’s thought that these events may have knocked the love of writing out of him.Smith himself had a heart attack in 1953, but he still married aged 61. He set up house with Carolyn Jones Dorman and took on her children, and they moved to Pacific Grove.He had a series of strokes in 1961, and one finally killed him.I must admit that of the 'big three' Weird Tales writers (Lovecraft, Howard and Smith), I prefer Smith. I found Howard mostly preposterous. The HP Lovecraft Literary Podcast did a reading of Robert E Howard's *Queen of the Black Coast* which had me in stitches. You need to check Chad Fifer and Chris Lackey out. They are very good.I loved Smith from my early teens and I think that the creation of the mythical Provencal region of Averoigne is fantastic. I was mesmerised by this medieval city surrounded by werewolf haunted forests. It was merely a matter of time that I managed to sneak a story in, falsely claiming it as a ghost story.It's not a ghost story, but it is a weird tale and it does contain the supernatural and a bit of murder, so I think it's okay.Smith on occasion intrudes sexual themes, and these are mostly absent from Lovecraft's work and Poe's as I can remember. Let me know if I am missing something here. I could be. It's late. I'm tired. I've been working on sales funnels rather than poetry. Pity.Coincidentally, Smith died the year I wSupport the showVisit us here: www.ghostpod.orgBuy me a coffee if you're glad I do this: https://ko-fi.com/tonywalkerIf you really want to help me, become a Patreon: https://www.patreon.com/barcudMusic by The Heartwood Institute: https://bit.ly/somecomeback Learn more about your ad choices. Visit megaphone.fm/adchoices

Transcript

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0:00.0

Everybody dies, don't they?

0:09.0

Everybody come back.

0:12.0

Isn't that so?

0:14.0

You tried to get into the locked drawer today, didn't you?

0:17.0

How do the dead come back, mother?

0:20.0

What's the secret?

0:21.9

The maker of gargoyles by Clark Ashton Smith.

0:28.8

Among the many gargoyles that frowned or leered from the roof of the new-built cathedral of Vionn,

0:35.2

two were preeminent above the rest by virtue of their fine workmanship

0:39.4

and their supreme grotesquery. These two had been wrought by the stonecarver blaze Rheinard,

0:47.7

a native of Vionne who had lately returned from a long sojourn in the cities of Provence

0:53.6

and had secured employment on the cathedral,

0:56.7

when the three years' task of its construction and augmentation was well-nigh completed.

1:03.3

In view of the wonderful artistry shown by Raynard, it was regretted by Ambrosius de Archbishop

1:09.3

that it had not been possible to commit the execution

1:12.6

of all the gargoyles to this delicate and accomplished workmen. But other people, with less

1:19.3

liberal tastes and Ambrosius, were heard to express a different opinion. This opinion, perhaps,

1:27.3

was tinged by the personal dislike that had been

1:29.8

generally felt towards Raynard in Vion, even from his boyhood, and which had been revived with

1:35.4

some virulence on his return, whether rightly or unjustly, his very physiognomy had always

1:42.5

marked him out for public disfavor.

1:45.8

He was inordinately dark with hair and beard of a preternatural bluish black

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