4.9 • 686 Ratings
🗓️ 17 October 2020
⏱️ 55 minutes
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0:00.0 | The empty |
0:02.0 | Everybody dies, don't they? |
0:10.5 | Everybody come back. |
0:12.6 | Isn't that so? |
0:14.4 | You tried to get into the locked drawer today, didn't you? |
0:17.4 | How do the dead come back, mother? |
0:19.9 | What's the secret? |
0:21.8 | The empty house. |
0:25.2 | Certain houses, like certain persons, manage somehow to proclaim at once their character |
0:31.3 | for evil. |
0:32.7 | In the case of the latter, no particular feature need betray them. |
0:36.8 | They may boast an open countenance and an ingenuous smile, and yet little of their company |
0:43.1 | leaves the unalterable conviction that there is something radically amiss with their being, |
0:49.3 | that they are evil. |
0:51.1 | Willing-nilly they seem to communicate an atmosphere of secret and wicked thoughts, which makes |
0:56.2 | those in their immediate neighbourhood shrink from them as from a thing diseased. |
1:02.4 | And perhaps with houses, the same principle as operative, and it is the aroma of evil deeds |
1:08.2 | committed under a particular roof long after the actual doers |
1:12.5 | have passed away that makes the goose flesh come and the hair rise. Something of the original |
1:19.3 | passion of the evil doer and of the horror felt by his victim enters the heart of the innocent |
1:25.0 | watcher, and he becomes suddenly conscious of tingling nerves, |
1:29.3 | creeping skin, and a chilling of the blood. |
... |
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