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Post Mortem with Mick Garris

Ryuhei Kitamura

Post Mortem with Mick Garris

Dread Central

Arts, Tv & Film, Society & Culture

4.91K Ratings

🗓️ 25 April 2018

⏱️ 58 minutes

🧾️ Download transcript

Summary

Japanese Horror Master Ryuhei Kitamura is on the Post Mortem slab to discuss his new Shudder release, Downrange, along with his cult classics Versus, Godzilla: Final Wars, Clive Barker’s Midnight Meat Train and his upcoming collaboration with Mick — Nightmare Cinema!

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Transcript

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0:00.0

I'm Mick Garris and this is post-mortem. I love horror anthologies. I've read tons of books of genre short stories and my childhood was graced by the Twilight Zone, Outer Limits, One Step Beyond, and many others.

0:16.0

I began my filmmaking career as a writer and then director on Stephen Spielberg's amazing stories

0:22.0

and followed that with work on Freddie's nightmares and tales from the crypt.

0:26.0

But one of the best experiences of my professional life so far

0:29.0

was creating and running the Masters of Horror Series.

0:33.1

One of the most incredible things about Masters was that we were able to allow the greatest

0:37.2

filmmakers in the horror genre to put their darkest fears on the home screen with virtually no creative interference.

0:45.2

One of the best parts of my role as executive producer was acting as an onset cheerleader

0:49.7

for the directors, helping them to create something that was entirely their own.

0:55.4

We encouraged them all to put their own personal stamp on their films.

0:59.2

We didn't want the shows to be alike.

1:01.2

We wanted John Carpenter's episodes to look and act like John

1:04.0

Carpenter movies. Toby Hooper's to look and act like Toby Hooper movies.

1:07.6

Otherwise, what was the point? We got amazing people to make amazing movies

1:12.1

because they were actually able to do what they want.

1:15.0

After Masters was done, I wanted to do something similar to follow it up, but to make it much more international in scope.

1:22.0

On Masters, we were able to bring Dario Argento from Italy to do

1:26.3

the show and we actually shot one episode from each of the two seasons in Japan. I wanted to do a series where each film was shot in a different country

1:35.2

by a director from that country. Unfortunately, that was not to be. I tried to

1:41.0

create a series of internationally produced feature films under the same umbrella that would come out theatrically,

1:46.5

then have various home video and premium cable and digital outlets,

1:50.5

but I was told this was way too adventurous.

...

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