One of the principal barriers to assimilation seems to be the natural tendency of white people

to violence. They love violence. They love it as entertainment.

The very foundation of their way of life, death and sacrifice.

White people, with almost missionary zeal, have done their best to export death and sacrifice. White people with almost missionary zeal

have done their best to export death and sacrifice

to every corner of the world.

We are not American.

We are not American.

We are not American.

We are not American. We are not American dead You're not American. You're not American.

Better red than dead. Back with a, back with Elena for another episode.

If you want to introduce yourself, Elena.

This is Elena Ortiz back from, well, back in Tewa Territory in Ogapoga, Owinge, and excited about this, this this podcast because it's something that we talked about

doing a couple of years ago, a year and a half ago, and then it kind of went by the wayside.

And so Melanie and I both went and rewatched it.

And yeah, it's going to be fun a little bit more upbeat, I think, than the previous podcast.

Still, I have focused on indigenous futurism, although this is sort of less so, but still, I still think it qualifies.

I think so. I was thinking it qualifies. I think so.

I was thinking the same thing.

It's definitely about temporality and the relationship between, like, temporality and the present and relationality, which I think are very central themes to what I think of as indigenous futurisms.

But yeah, we can get more into that.

Yeah, so what we're going to talk about today is one of the Marvel stories.

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