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Le Batard & Friends - South Beach Sessions

Roy Wood Jr.

Le Batard & Friends - South Beach Sessions

Dan Le Batard, Stugotz

Sports, Society & Culture, Tv & Film, Comedy Interviews, Comedy

4.915K Ratings

🗓️ 28 July 2023

⏱️ 108 minutes

🧾️ Download transcript

Summary

Late night shows may come and go, but for Roy Wood Jr. the hustle-and-grind never stops. Roy visits Dan in Miami for a South Beach Sessions unlike any other, reflecting on how far he's come from his scary, early days as a comedian and why he wanted to be the next Stuart Scott at ESPN. Amidst strikes and layoffs in a shaky entertainment landscape, Roy also shares what The Daily Show was like under Trevor Noah, and what the future of late night will look like if he takes over next... Go to RoyWoodJr.com for tour dates, tickets, and more. Learn more about your ad choices. Visit megaphone.fm/adchoices

Transcript

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0:00.0

Welcome to South Beach Sessions. I'm excited about this one. It doesn't mean I

0:03.9

haven't been excited about the others, but my level of admiration for this

0:08.2

person with what he's done just sort of flippantly being a journalist while

0:13.2

also being a comedian, honoring the things that his father was about in what

0:19.7

now passes for the old South when he was a journalist who was more joyless than

0:26.2

he was and so I sort of recognize in in you some of the things I saw at my

0:30.4

dinner table where my dad was really unhappy at work and I'm like I don't want

0:34.4

to do it that way like I'd like to work hard but I there's got to be joy in it

0:39.3

because I don't want to be miserable but Roy Wood Jr. should be if you've been

0:43.4

paying attention the Daily Show host now if television executives weren't

0:48.5

perpetually idiots he would already be the Daily Show host because your what

0:54.0

you've done I admire you so much but at least in part because I don't think

0:58.0

many people know how hard it was for you to make a career out of all of this.

1:03.1

What's weird man is all right here's like because I started comedy at 19 which

1:09.8

I would argue if you start anything as a teenager you're just learning the

1:16.6

art of it you don't have an opinion you don't have an angle on what you want to

1:20.2

do and then when you start realizing oh no these are the things I really want to

1:24.9

talk about that I really care about well then there that comes at a cost to a

1:29.0

degree because now certain clubs aren't going to book you are you going to

1:33.2

deal with certain criticism so that part of it has always been a weird

1:37.4

balancing act but at the end of the day if I'm not excited to talk about the

1:40.6

stuff I want to talk about then I can't I can't be up here but foundationally

...

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