Hey, I'm Josh Barrow, your new host of Left, Right, and Center.

Every week join Rich Lowry, Bob Shear and Me for a contentious yet civilized debate of the week's big political stories,

from ISIS to the U.S. economy to this 47 candidate presidential election we're having.

You can find Left, Right, and Center on KCRW's iTunes page.

From KCRW Santa Monica and KCRW.com, it's The Treatment.

Welcome to the treatment.

I'm Elvis Mitchell.

I'm in New York sitting across from a filmmaker whose work I've

loved since I want to hold your hand. A man who's made films about outsiders who figure out a way

to game the system and his newest film, The Walk is a return to that. Bob's a mechanic. It's

first of all, Bob, thanks once you're being here. Pleasure to be here. And the film's producer and

the best dressed CEO in the movie business.

Tom Rothman's also.

Tom, good to have you back.

It's been a while, not since Master and Commander.

I remember.

Nice to see again.

Good to see you.

The reason I brought up, I want to hold your hand because the movie, the walk reminds me of that and use cars a little bit, that sort of sense of a bunch of people get together with kind of a plan.

And they also want to subvert things a little bit. And that's what I think, when I think of your films, Bob, that's what I think about, really.

That's sort of, for me, that beautiful period of just sort of like turning things on their ear. And I just wonder when you saw a man on wire, which this film is sort of based on, did you think you want to make it feel like those

films you got started doing? Yeah, well, you know, it's interesting. I, um, yeah, I mean,

...