Hey, I'm Josh Barrow, your new host of Left, Right, and Center.

Every week, join Rich Lowry, Bob Shear and Me for a contentious yet civilized debate of the week's big political stories,

from ISIS to the U.S. economy to this 47 candidate presidential election we're having.

You can find Left, Right and Center on KCRW's iTunes page.

From KCRW Santa Monica and KCRW.com, it's The Treatment.

Welcome to The Treatment.

I'm Elvis Mitchell.

In 2002, a little movie called Cabin Fever exploded onto the scene at the Toronto Film Festival

and propelled its writer-director and sometimes actor Eli Roth into the horror mainstream,

but still an outsider. The films he's made since then include hostile and hostile to,

and now he gets to be a man with two films out, almost simultaneously, Green Inferno, and Knock Knock,

Eli, so good to have you back.

Thanks, Elvis. Good to be here.

I guess you've got two films that are kind of inspired by other films, don't you?

Well, I mean, all my movies in some way are inspired by other movies.

Knock Knock Very Directly inspired by Death Game, filmed by Peter Traynor that's a rarely seen movie that Colleen Camp had been in,

that she told me about it. She said, I was in a movie where I had a threesome with

Sandra Locke and Seymour Cassell, and I was like, what? And so I watched it with Nicholas Lopez,

who was my co-writer on Green In Fronton, producer, and Aftershock, and we thought, oh, my God, we got to do an updated version. We loved the idea of the psychosexual thriller of the three

characters in the house, so the setup of the two girls showing up, the guy having the threesome,

and then it's like once you open Pandora's box, it's just, don't put you back in.

What did you say to that? Basically, sort of a middle class artist who has basically sort of been

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