4.6 • 2.7K Ratings
🗓️ 21 June 2022
⏱️ 22 minutes
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0:00.0 | This episode is sponsored by FX's, Fleischmann is in trouble. |
0:04.0 | Starring Jesse Eisenberg, Claire Daines, Lizzy Kaplan, and Adam Brody, |
0:08.2 | this drama tells the story of recently divorced Toby Fleischmann who dives into the world of |
0:13.4 | app-based dating. The kind of success he never had in his youth. Then, his ex-wife disappears, |
0:19.1 | leaving him with her two children and no hint of her return. FX's Fleischmann is in trouble, |
0:24.6 | now streaming only on Hulu. |
0:39.8 | Welcome to Switched On Pop, I'm a musicologist-nate Sloan. Robert Glassper is a pianist and composer |
0:46.0 | who's worked blurs the lines between Jazz, Hip Hop, and Pop. He's won multiple Grammys, |
1:01.2 | including Best R&B Album for his release Black Radio, and he's worked with everyone from |
1:07.2 | Kendrick Lamar to Herbie Hancock. Most recently, Glassper wrote the score, alongside composer |
1:12.9 | Nick Prattell, for the HBO series, Winning Time, The Rise of the Lakers Dynasty, which follows |
1:19.0 | Magic Johnson, Karim Abdul-Jabbar, and the rest of the legendary LA basketball squad as they surge |
1:25.3 | to prominence in the late 1970s and early 80s. The first pick, 1979 NBA draft, the Los Angeles |
1:33.6 | Lakers Select, Irvin, Magic Johnson. I spoke with Robert Glassper about scoring on the fly the |
1:44.7 | challenge of channeling vintage tones and what Jazz and Basketball have in common. Here's our conversation. |
1:56.9 | Robert Glassper, welcome to Switched On Pop. Thank you so much for having me, appreciate it. |
2:02.3 | We're here to talk about your score for the HBO series Winning Time, and I'd like to know what |
2:08.0 | made you sign on to this project in the first place. The way I got on it was Nick Prattell, |
2:13.9 | who was the initial composer for it, and he's done some of the amazing things already. |
2:19.6 | You know, I was a fan of his. So when his people called, my people was like, hey, |
2:24.0 | Nick Prattell, want you to join him on a score? I was like, fuck yeah, I don't even know what it was. |
2:29.2 | I was like, yeah. So you didn't even know what the project was. It was just a chance to work with Nick. |
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