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It's very difficult to keep the line between the past and the present.

You believe that someone out of the past can enter and take possession of a living being?

We may be true with the past, but the past is not through with us.

Welcome back to the next picture show, a movie of the week podcast devoted to a classic film

and the way it's shaped our thoughts on a recent release.

I'm Tasha Robinson, here again with... Genevieve Kosky. Scott Tobias. Keith Phipps. In our last episode, we discussed Ryan Johnson's high school neo-noir brick, a murder mystery that creates its own world, which feels something like a 1940s Dashel Hammett novel, and something like a John Hughes high school drama. This week we're looking at Johnson's latest film, Nives Out, which draws from and upends murder mystery conventions in similar

ways. Knives Out starts as something of an Agatha Christie cozy mystery, set in a household

full of cantankerous, larger-than-life characters who all have plausible motives for murder,

and evolves into an Alfred Hitchcock movie full of tension, chases, and sudden twists.

Christopher Plummer plays Harlan Thrombie, a famous thriller writer, whose success is supporting a

wide variety of family members, played by a cast including Jamie Lee Curtis, Don Johnson, Chris Evans,

Michael Shannon, Tony Collette, and Catherine Langford. Then Harlan dies after a contentious evening with a family,

and detectives, Lekeith Stanfield, and Daniel Craig, come in to explore the options,

reluctantly assisted by Harlan's in-home caregiver Marta, played by Anna de Armas. The film

was billed as something of an ensemble comedy based around the family, but it subverts those

expectations early on by turning

into a more class and race-based story about how the white upper class entitled Thromby family

...