Return to the Bothell Hell House, Part Two | Grave Talks CLASSIC
The Grave Talks | Haunted, Paranormal & Supernatural
Ghost Stores, Haunted, Paranormal & Supernatural Stories
4.6 • 2.2K Ratings
🗓️ 5 October 2024
⏱️ 20 minutes
🧾️ Download transcript
Summary
Keith Linder’s story isn’t your run-of-the-mill haunted house saga. The Bothell Hell House was more than just your average “things that go bump in the night”—it was an all-out war on the living. Keith and his girlfriend endured relentless chaos, mental anguish, and accusations of fraud after their story was featured on Ghost Adventures, despite showing evidence to the contrary. But here’s the thing: Keith’s tale of the Bothell Hell House is one of the most harrowing and hate-filled cases I’ve ever encountered, where dark forces didn’t just knock on the door; they blew it open. Buckle up for a bone-chilling journey into one of the most sinister hauntings ever on The Grave Talks. This is Part Two of our conversation.
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Transcript
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| 0:00.0 | Welcome to Part 2 of our interview. Return to Bothell. |
| 0:05.0 | Obviously there were a lot of very, for lack of a better term, fantastic claims that Keith was making about things happening in the home. |
| 0:17.0 | Several of them very well noted and I'm interested to hear what Steve |
| 0:25.0 | investigated about them. |
| 0:26.5 | Let's start talking about some of those, |
| 0:28.6 | beginning with some of the wall markings |
| 0:31.4 | that were in Keith's office, the 666, the hanging man in that black, it appeared to be paint of some sort. |
| 0:42.0 | But what were the findings there? What did Steve think of that? |
| 0:45.9 | The interesting thing about that and Steve, none of that happened. That particular |
| 0:51.2 | manifestation did not happen while Steve or Don were there. |
| 0:55.0 | So he was only able to analyze photographs that Keith had taken of it because by the point that by the time that Keith |
| 1:05.4 | by Steve that Stephen Don had gotten there Keith had had all of it painted over. |
| 1:11.0 | He's like you could still kind of see it like underneath the white cover up paint because it hadn't been entirely of it |
| 1:13.2 | painted over. He's like you could still kind of see it like underneath the white cover |
| 1:13.6 | up paint because it hadn't been entirely finished, but he's like the, you know, |
| 1:16.6 | they, most of the markings had been covered up and they weren't able to, you know, |
| 1:22.2 | get any readings off them or anything like that. |
| 1:24.4 | But he said the interesting thing about a lot of the paint markings, |
| 1:30.6 | particularly not even the 666 and the crosses crosses and things but he's like the ones |
| 1:35.3 | that were that just looked like scribbles he's like the weird thing about those |
| 1:39.4 | was that he showed them to a lot of his friends that were, you know, artist painters, interior decorators, and stuff. |
| 1:45.9 | And they said that's not a real common technique. |
... |
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