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Popcast

Remembering The Village Voice, Music Criticism's Crucible: Part 1

Popcast

The New York Times

Music Commentary, Music, Music Interviews

3.41.7K Ratings

🗓️ 10 September 2018

⏱️ 74 minutes

🧾️ Download transcript

Summary

Forty years of writers and editors share memories about helping invent a language to talk about music, and the artists they critiqued — some grateful, some not. Guests: Robert Christgau, Jon Pareles, Nelson George, Kyle Gann and Joe Levy.

Transcript

Click on a timestamp to play from that location

0:00.0

Welcome to the New York Times Popcast, you're addicted to Beef Stallion of the

0:05.0

year of music news and criticism. I'm your host John Caramonica.

0:09.0

I get the boost this go. I get the boosters boosting. I get computers puten. Y'all get shot at for me. I do the recruit and I do the students. I nurture their brain. I the brain I'm moving the movement

0:24.0

whoever Buddhist a Buddha that's Judas a Judah

0:27.0

I got Lougir the root

0:29.0

hit from Buddha the tutor to tutor

0:30.0

chick from Huda

0:32.0

I put two and producers we're back. We're back.

0:35.0

We're back.

0:36.0

Had to take a little vacation.

0:38.0

Thank you to everyone in Santa Fe and New Mexico.

0:42.0

Had a tremendous time down there last week.

0:44.8

Shouts out to BMI and to Ileana who had a beautiful wedding.

0:48.8

And you know we stay up in the Santa Fe, Vintage Warehouse, obviously, salute to Scott.

0:54.3

We see you.

0:55.5

While I was on vacation, I learned that the Village Voice

0:59.5

was shutting down for good, not just online.

1:01.9

It already shut down the print edition, but was shutting down for good.

1:04.8

quick sidebar if anybody has a plug on a red village voice box please hit me with an

1:09.5

email at popgasnytimes.com.

1:12.0

The voice was incredibly formative for me both as a reader and a writer.

1:16.6

I used to read the voice when I would come back and forth from from Brooklyn to high school in Manhattan, it was stunning to see criticism about the music I cared about and also a bunch of music I didn't care about, but still criticism being done at that high a level.

...

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