4.5 • 606 Ratings
🗓️ 26 March 2015
⏱️ 29 minutes
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Rachel Kushner talks about the earliest impulses that inspired her first novel Telex from Cuba. She wanted a new concept of time, she needed to find a voice to create that highly subjective and changeable thing--the past.
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0:00.0 | Hi, I'm Michael Silverblatt. Thanks for tuning in to Bookworm. Some of our most exciting storytellers |
0:07.4 | share their work orally, and that's the kind of work you can hear on KCRW's UnFictional. |
0:15.0 | Intimate stories, cleverly made documentaries produced all around the world by some of the most talented radio producers we have. |
0:25.5 | Check out on Fictional. You can find it on KCRW's iTunes page. |
0:31.6 | Funds for Bookworm are provided in part by Lannon Foundation. |
0:34.8 | Boots. |
0:43.3 | Where would we be without boos? Where would we be without good? |
0:46.3 | No, Tintuberg. |
0:47.3 | It's a rhetorical question, sir, but where would we be without books? From KCRW and KCRW.com, I'm Michael Silverblatt, and this is Bookworm. |
1:01.2 | I have an exciting prospect ahead of me. |
1:05.6 | It's going to be the first time that we talk to a writer, in this case, Rachel Kushner, about work that she |
1:14.9 | did before she was officially published in book form. A collection of pieces called the Strange |
1:24.0 | Case of Rachel K. has been published by New Directions. |
1:29.3 | They were published in literary magazines? |
1:33.1 | Yeah, they were. |
1:35.1 | You know, it's a long time ago now, but one of them was in soft targets, |
1:41.8 | which I wasn't involved in at the time. |
1:43.6 | It was the first issue, very small, but kind of densely interesting literary journal, had |
1:50.9 | a short life. |
1:51.9 | And then the second issue, I actually became one of the editors of it, but their first |
1:56.9 | issue one of the pieces was in, and then a Canadian journal called Descan, who they were doing |
2:02.2 | a Cuba-themed issue. And I knew that I wanted to write a novel that was set in and somehow |
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