4.5 • 606 Ratings
🗓️ 19 March 2015
⏱️ 29 minutes
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The discussion takes up writers who write about the racial "other." Can every writer do it successfully? Are there writers who shouldn't or can't? When is it appropriate and necessary?
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0:00.0 | Hi, I'm Michael Silverblatt. Thanks for tuning in to Bookworm. Some of our most exciting storytellers |
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0:43.3 | Where would we be without boos? |
0:46.3 | Where would we be without good? Go to bird. |
0:47.3 | It's a rhetorical question, sir. |
0:50.3 | But where would we need without books? |
0:54.8 | From KCRW and KCRW.com, I'm Michael Silverblad, and this is Bookworm. |
1:01.2 | Well, I've read a very interesting book. |
1:04.1 | It's published by Fence Books, and once again, Claudia Rankine is my guest. |
1:11.1 | It's an anthology co-edited with... |
1:14.5 | I co-edited the anthology with Beth LaFreda and Max King Cap. |
1:20.1 | It's called The Racial Imaginary, Writers on Race in the life of the mind. |
1:30.2 | The book was stimulated by a series of poems by various poets |
1:39.9 | that wrote about black women in highly satirical degrading fashion, |
1:50.6 | and when confronted, the poets would say, |
1:55.7 | well, that's my imagination, that I have the right to my own imagination and therefore the term the racial imaginary. |
2:07.6 | Can you define it better for me? |
2:10.6 | I think I was really interested in how race shows up in literature because Because one of two things happened. |
2:18.4 | Well, probably one of many, but one of two. |
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