This is Corolla Digital.

From level five city in Glendale it's this week with Larry Miller Good evening, Mr. and Mrs. America and everyone who never eats too much on Thanksgiving.

Hi! Hi folks and welcome back to this week with Larry Miller I'm Larry Miller

but in a way aren't we all and boy oh, I know I've said this before.

I know I say it every week.

But holy mackerel, that music makes me feel good.

It's cheerful, and it's it really reflects me I think. More

importantly maybe it reflects you too. Well it certainly reflects me. In any case, no, they get better every week. That's of course the Jeff Sawyer Orchestra and the Shirley Phillips Black Dancers featuring Boy Tenor D.C. Valdez asking the musical question

at what point do two duets become a quartet

well DC That's pretty Well, D.C., that's a pretty good question.

Both the Colonel and I looked at each other, nodded and said, you know what, that's a pretty good question at what point do two

duets become a quartet and then frankly it crossed my mind at what point do two solos become a duet

but never mind that now we have a question from d c at what point do two duets become

a quartet?

You know what?

It's so hard to be a composer, I think.

How are you a composer, whether you're Mozart or some guy last week? You know all the folks in between there, how do you even decide?

I think I'll write a Quartet. I think I'll write a do it.

How do you figure that out? At what point in the opera do you

think you're going to do that? And then where in the world do you get off saying no?

I'll write a trio for goodness sake? I mean what what difference does it make to to anyone this beautiful stuff don't get me wrong

Quando Manvo, from Labohem. Unless I'm wrong, is the only trio ever written for opera.

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