Hello, everyone, and welcome to Slash Film Weekly. It's Wednesday, February 25th, 2026. On today's

episode of the show, we're going to be talking about the new comedy series, The Fall and Rise of

Reggie Dinkins. We'll play interviews with that show's cast and creators. We'll chat about the new

Glenn Powell film, How to Make a Killing, and wrap up with a conversation about Psycho Killer and

Redux Redux and play some interviews

with folks associated with those projects. My name is Ben Pearson. I'm an editor at slashfilm.com.

I'm recording this a little bit early. So if you're listening to this on Wednesday and there's

been some sort of massive breaking news on Wednesday morning, it's because I'm recording

this a little bit earlier

on Tuesday evening just because of some scheduled conflict stuff I have going on.

There is a lot going on right now with the Warner Brothers deal. Netflix had signed a deal

to effectively purchase Warner Brothers, but Paramount has been lurking and basically Warner

Brothers gave Paramount a full week recently to present their offer and just stop whining in

public and actually kind of cut to the core and give them potentially a sweeter offer than

what they had originally put out there. And as of this afternoon, it seems like Paramount has actually sweetened their deal

and talks are going to continue.

I think the rule is if Warner Brothers Discovery determines that Paramount actually has put in

an offer that is superior to the one they have signed with Netflix, Netflix has, I think,

four business days to

negotiate and try to be able to equal that amount. So anyway, it's all very complicated.

We'll be chronicling this on future episodes of the show, I'm sure, in much greater detail.

So standby for more information on that. In the meantime, let's run through a few news items. First up,

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