4.6 • 1.4K Ratings
🗓️ 12 June 2020
⏱️ 30 minutes
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| 0:00.0 | Welcome to Pseudopod, where the only thing more horrifying than horror is the possibility you might push through a story that makes you uncomfortable or actively disturbs you. |
| 0:09.0 | Don't. We're here to entertainingly disturb, not straight up disturbed, and you can always hop back on next week. |
| 0:20.0 | A quick word folks, there is no direct violence in this story but it is going to be profoundly |
| 0:26.1 | uncomfortable listening for I suspect a lot of people. Please proceed aware. |
| 0:38.5 | Sudapod episode 700. Please proceed aware. AIDOPOD, episode 707, June 12, 2020. This week's story, Cry Baby by PR Dean. D. Hello everyone. |
| 0:45.0 | Welcome to Sudapod The Weekly Horror Podcast. |
| 0:47.0 | I'm Alistair, your host, and this week's story comes with from PR Dean. |
| 0:51.1 | It's a Sudapod original too. |
| 0:53.0 | P. R. Dean is a writer from Brisbane, Australia. |
| 0:55.0 | He has written plays, musicals, opera, librettos, and the occasional short story. |
| 1:00.0 | Your reader for this story is our very own Scott Campbell. So, without further ado and without making |
| 1:06.6 | eye contact with the people at the other end of the street, we have a story for you, and we're terrified. It's true Cry Baby by PR Dean narrated by Scott Campbell. |
| 1:29.6 | The lights came up abruptly. |
| 1:31.6 | Audience members shifted in their seats and whispered and shocked voices. |
| 1:36.0 | No one laughed. After a moment someone stood up, and then one by one people rose to their feet, |
| 1:42.0 | adopted a neutral expression, and waited patiently for those |
| 1:44.8 | in front of them to move. Leon felt depressed by the harsh fluorescent light. The world of the |
| 1:51.0 | film, with its deep shadows and French r vowels still clung to his sensibilities. |
| 1:56.3 | He hunched down in the seat and shaded his eyes against the glare. |
| 2:00.4 | His hand was shaking. He wanted to leave the moment the credits began to roll, but Haley had glared at him as though he was transgressing some long-standing film festival behavior code. |
| 2:11.0 | What did it matter? Dozens had walked out during the screening. Part of him |
| 2:16.3 | wanted to curl up into a ball and not think about anything. The other part just |
... |
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