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Michael and Us

PREVIEW - #666 - The Veer of Libidinous Intellect

Michael and Us

Luke Savage and Will Sloan

Society & Culture

4.5697 Ratings

🗓️ 4 November 2025

⏱️ 5 minutes

🧾️ Download transcript

Summary

David Cronenberg's COSMOPOLIS (2012) imagines a world where a young Wall Street billionaire is insulated in his limousine while society collapses around him. Luckily it's a work of purest fiction. PLUS: We take the temperature of the New York mayoral election, and have our longest sustained sports-related conversation ever. PATREON-EXCLUSIVE EPISODE - https://www.patreon.com/posts/142824792

Transcript

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0:00.0

Cosmopolis is Cronenberg's adaptation of the 2003 novel of the same name by Don DeLillo.

0:07.7

When Luke suggested this movie, I was very interested in talking about it because I'd seen it twice before, but not recently.

0:15.3

Certain images from this movie have stayed in my mind, although I don't think the movie has ever quite got its tender

0:21.0

hooks in me because I think it's David Cronenberg's most challenging film. For me, at least,

0:26.3

it's his coldest to the touch, which is saying something. It's very deliberately unengratiating.

0:33.0

I think it's got Cronenberg's hardest protagonist, which again is really saying something. Watching it again,

0:39.4

I was struck with admiration that somebody could raise $20 million to make a movie this

0:45.1

stubbornly unlovable, all but guaranteed to lose money at the box office. I think you really

0:51.5

enjoyed watching this movie, Luke. I had a strange reaction to it. I love

0:55.7

thinking about this movie. I know I'm going to love talking about this movie. The experience of

1:00.2

sitting and watching this movie, I have always found distinctly unpleasant. And I still feel

1:06.0

that way. I'm curious what your reaction to the experience of watching this movie is.

1:11.4

Well, you're right that I really did enjoy it, and this was my first time seeing it, though I don't entirely disagree with what you say.

1:18.3

I mean, I think challenging is a good word.

1:20.9

This is a film where characters often speak in kind of long, didactic monologues, and, you know, a line can be spoken without really having

1:29.1

anything to do with or, you know, bearing no direct relation on what was said previously.

1:34.1

Cronenberg said in an interview in film comment that the dialogue in DeLillo's novel is what

1:40.2

attracted him to this project. He says, I love the way it shot off in so many different

1:45.2

directions at once, and that it was so strangely mechanical and dehumanized and yet so

1:50.1

obsessive and passionate underneath. So much of human discourse is like that. The human reality

1:55.4

is buried under the grammar and technology of language. And I think the dialogue more than anything is what I bounce off of in this movie.

2:03.7

I feel myself going insane when I listen to these characters.

...

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