This is a good vibes episode, so we thought we treat ourselves for a little bit of comfort food.

Treat ourselves and also treat all of you.

Would you believe it in the midst of a horrific humanitarian crisis, just one awful video after another on my Twitter feed,

what should pop up in the middle of all this?

What should prop up but the latest effort by this

podcast favorite intrepid documentary filmmaker? Sorry Michael Moore. Your friend and mine.

Alexandra Pelosi. She's back. She's back. Better than ever. Less than a year after Pelosi in the

house. We have another brand new Alexander Pelosi. She's done another

January 6th documentary. Thank you, by the way, to everybody who alerted us to this fact. Yeah, it was,

it was not a small number of people. Don't stop doing it. Some of you are probably thinking like,

oh, not another Alexander Pelosi documentary. What more is there to say? And you're right.

There is actually no more to say. She makes the same film every time. She's made the same film again.

We're going to say the same things. No, but there is something fascinating about, you know, an artist.

And I use the term loosely, obviously. Check out our previous

episodes in Alexandra Pelosi's work if you don't know what I'm talking about. She's the daughter of

Nancy Pelosi. She's making the same movie for 20 years. I'll link to the Jacobin article I wrote

about her. Yes. That's sort of a primer. Will has written the definitive essay. But there is something

about, you know, when a filmmaker is just repeating the

same thing over and over again. Oh, yeah, like Wes Anderson or Hong Sang Su. It becomes inherently

fascinating because, uh, you become hyper sensitive to any variations and then they can be

interesting. Well, I'm reminded of something that you told me once. Some film you saw where, you know,

it's, it's 90 minutes long or something. And for much of it, you know,

...