4.6 • 668 Ratings
🗓️ 25 January 2023
⏱️ 5 minutes
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0:00.0 | I think that the ruby glass in typical Herzogian fashion can be read as a kind of metaphor for, you know, the unknowable. |
0:08.0 | It symbolizes for me a time before people thought that the universe or the natural order could be rationally understood, could be uncovered, could be, you know, exposed through inductive science and reason. |
0:20.0 | It symbolizes a time before |
0:22.1 | human beings had learned to master nature and kind of manipulate it for their own ends. I think |
0:28.0 | in another plausible reading, it also symbolizes the decline, tragic decline in a way of a kind |
0:34.4 | of craft society where objects really are unique, a time before, you know, |
0:39.0 | industrialization standardizes everything and mass produces things. I'm not saying that Herzog |
0:45.0 | literally had all of these things in mind in making the film, but that's what it means for me as a, |
0:49.8 | as a fable or an allegory. All of Hyas' monologues seem to gesture at this kind of chaos and |
0:57.1 | disintegration that follows from, you know, the world being disenchanted. It is in many ways a |
1:02.3 | fable about, you know, as you put it before, you know, what happens if you walk through, you know, |
1:06.9 | this door that Herzog is so averse to walking through. And sometime, you know, |
1:11.0 | in the last few hundred years, our entire civilization did a version of that. And I don't know, |
1:16.1 | I've never considered myself, you know, I'm not like an ardent traditionalist or anything like that, |
1:20.9 | but I've long been attracted to the idea, kind of romanticist idea, that whether you see value |
1:26.7 | in, you know, modernity or not, there is some |
1:29.3 | kind of tragedy that's contained within that process. You know, something and perhaps something |
1:35.0 | valuable, or at least particular type of coherence that may have once existed, is lost and can |
1:40.4 | never be retrieved. One last thing I'd like to bring up about this movie is a couple months ago, |
1:45.5 | I watched Herzog's remake of Nosferatu from 1979 for the first time in many years. |
1:51.7 | And that movie lingers much more than F.W. Murnau's original film did on the breakdown of society |
1:58.6 | after the vampire comes to town and the plague is spread. |
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