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Michael and Us

#396 - Mondo Argumento

Michael and Us

Luke Savage and Will Sloan

Tv & Film

4.6668 Ratings

🗓️ 22 January 2023

⏱️ 40 minutes

🧾️ Download transcript

Summary

A misanthropic catalog of shocking images from around the world, the bizarre, unpleasant, baldly racist, and extremely influential MONDO CANE (1962) was a pioneering "shockumentary." We revisit this strange and ugly artefact to discuss why it was taken so seriously in its day. Join us on Patreon for an extra episode every week - https://www.patreon.com/michaelandus

Transcript

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0:00.0

I mean, even just like the discussion of the beginning before the movie, I just right now for

0:21.4

whatever reason, I feel like before the meeting and before we watch the movie, I just like

0:26.3

wasted a lot of good podcast energy. The lesson well is that we should commodify every single

0:32.6

conversation. Everything is content. We should become the audio versions of like fucking wet movie and his crew where

0:40.1

it's like if the mic's not there we might as well not exist i couldn't agree more and uh before we

0:45.4

get into this episode i also just want to say that you know all the scenes that you hear in this

0:49.4

podcast are true are taken from life if often they are shocking it's because there are many shocking things in this world.

0:56.5

And besides, the duty of the chronicler is not to sweeten the truth, but to report on it objectively.

1:03.8

Welcome to Michael and Hassam, I'm Will Sloe.

1:05.6

And here is always with.

1:07.1

Ah, Luke Savage.

1:08.1

Feeling a little enervated, I have to say, by what we've just seen, but I hope to, you know, reclaim some of the energy I had before we started recording, which, you know, we should have, Will and I should just record everything because we end up having these spontaneous out-of-character conversations before we start recording.. Of course, once we start recording,

1:27.8

I mean, all of this is scripted, as we've said before. So we just lose some of that spontaneity

1:32.1

and authenticity. And in the case of a session like today, just, you know, I feel pretty tired.

1:36.7

Well, we're like the rat pack, you know, Frank and Dino were, you know, you thought they were

1:40.6

having fun on stage, but the real party happened, you know, offstage,

1:44.4

over the crap tables and in various hotel rooms. It's exactly like that. I mean, you know,

1:50.1

people don't realize this. And I mean, you know, again, this is all part of the script. So is this

1:54.7

true? Is this not true? I don't know. But Will and I are, we're like actually Mick and Keith have been for the last like 40 years. Like, like we have separate dressing rooms. I wouldn't really talk to each other. But, you know,

2:04.2

what, the enterprise is too big. It's too big to fail. We can't cancel it. We can't get out of it.

2:08.6

One day we'll both publish like dueling autobiographies and snipe at each other. Yes, you could say that he's the Gualtiero Jacopetti to my Paolo Cavara, you know, a great, a great duo who created incredible work, but who nevertheless ended an acrimony.

2:24.5

And perhaps this is the episode to do it, because, you know, a podcast, you know, if you host it with another person, it is, it is a collaboration, it is a dance, it is a negotiation.

...

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