4.1 • 696 Ratings
🗓️ 20 December 2020
⏱️ 71 minutes
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0:30.6 | On your mark. Yes, sir. Bye. We're back in the nation's favorite tent. Let's do this. And it's packed with a fresh batch of famous faces. |
0:39.9 | As long as it's edible, I'd be happy. |
0:42.9 | Don't chalk, trying my key. |
0:45.2 | How can it be? |
0:46.1 | The great celebrity baker for Stand Up to Cancer on Channel 4. |
0:49.5 | Stream now. |
0:58.3 | This is American History TV's Lectures in History podcast. |
1:02.2 | This week, a class on music in the post-Civil rights era, |
1:05.9 | highlighting artists such as James Brown, Marvin Gay, and George Clinton. |
1:09.4 | It's taught by Flagler College Professor Michael Butler. |
1:20.6 | Okay, guys, welcome to the latest lecture in History 336, which is rock and roll history in the United States. |
1:22.1 | I'm Dr. Butler. |
1:31.6 | And today, the topic that we are going to address is BlackRock during the post-Civil Rights era. |
1:33.8 | So I'll share my screen. |
1:38.4 | So with that in mind, let's go ahead and get started. The time frame that we are using for the lecture today is roughly 1966 to 1978. Those are both the historical |
1:50.0 | starting points in 66 for reasons that hopefully will become clear as we progress. In |
1:55.0 | 1978 is the release date of the last work of art that we're going to mention today. |
2:08.1 | So, to set the historical context, one of the things that we have to do is situate the music into the historical period so that the connection between the period and the art is abundantly clear. |
2:18.3 | What then do we mean when we use a term in academia |
2:25.3 | like post-civil rights era? |
... |
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