3.6 • 1.5K Ratings
🗓️ 30 September 2016
⏱️ 31 minutes
🧾️ Download transcript
Click on a timestamp to play from that location
0:00.0 | Welcome to the New York Times Popcast, your It's a Knife of Music News and Criticism. |
0:08.0 | I'm your host, John can't go. |
0:15.0 | How to know who the rain. |
0:18.0 | How to know who the rain. |
0:22.0 | How to know who can call up all the questions. |
0:29.0 | We know that I'm ready to clean our mind. I'm ready to clean out. Do you guys feel soothe that's man? |
0:38.0 | Do you guys feel soothed? |
0:39.1 | That's man, that's the soothing sounds of Bonnever, 666, depending on where you're reading at 666, downward-facing arrow, |
0:47.0 | 666, upside-down cross. |
0:51.1 | If you have emoji, it's probably easier for you to render the titles on this new Bonnevire album, which is called 22 a million. |
0:57.0 | Let's get in the numerology. I've got two guests with me today. I have John Perales, Chief Music Critic in the New York Times. |
1:03.3 | Hey there. I've got Brandon Stosoy who is here for a couple of reasons, but first of all |
1:09.1 | is the founder of the Creative Independent, which is a new website that focuses on arts and |
1:13.4 | music and culture interviews and also I would say known tweeter on the Bonnevere |
1:18.7 | phenomenon like if we're just going to be honest but let's start with this album's the |
1:22.0 | third Bonnevere album and it took five years I think J.P. |
1:26.6 | Five years since a month. Three and a half years at work. Five years between albums. |
1:30.0 | That's usually how long it takes me to write an article. Three and a half years of work. |
1:33.4 | Well, yours aren't upside down. |
1:34.8 | No, that's true. |
1:35.9 | Why did this take so long? |
1:37.2 | JP, you also did like a very big bony bear interview out at Pioneer Works in Red Hook. |
... |
Please login to see the full transcript.
Disclaimer: The podcast and artwork embedded on this page are from The New York Times, and are the property of its owner and not affiliated with or endorsed by Tapesearch.
Generated transcripts are the property of The New York Times and are distributed freely under the Fair Use doctrine. Transcripts generated by Tapesearch are not guaranteed to be accurate.
Copyright © Tapesearch 2025.