Political Gabfest - John Dickerson’s Navel Gazing: The Power of Four Numbers
Slate News
Slate Podcasts
4.5 • 6K Ratings
🗓️ 27 April 2024
⏱️ 31 minutes
🧾️ Download transcript
Summary
In this week’s essay, John discusses the art of attention and how to develop the skill of slow-looking.
Notebook Entries:
Notebook 75, page 8. September 2021
1016
Notebook 1, page 54. June 1990
- Magna carta 1215 at Salisbury
- Girls skipping
- The Haunch of Venison
- Chris
References:
A Little History of the World by E.H Gombrich
Artist Jeff Koons
“The Art of Divination: D.H. Lawrence on the Power of Pure Attention” by Maria Popova for The Marginalian
“Gabfest Reads: A Woman’s Life in Museum Wall Labels” for Political Gabfest
One Woman Show by Christine Coulson
“Grammy-winning artist Jason Isbell talks about the craft of songwriting and his latest music” for CBS News
A Journey Around My Room by Xavier De Maistre
“Just think: The Challenges of the Disengaged Mind” by Timothy Wilson, et.al for Science
“Our Rodent Selfies, Ourselves” by Emily Anthes for the New York Times
One Man’s Meat by E.B. White
Podcast production by Cheyna Roth.
Email us at navelgazingpodcast@gmail.com
Want to listen to Navel Gazing uninterrupted? Subscribe to Slate Plus to immediately unlock ad-free listening to Navel Gazing and all your other favorite Slate podcasts. Subscribe now on Apple Podcasts by clicking “Try Free” at the top of our show page. Or, visit slate.com/navelgazingplus to get access wherever you listen.
Host
John Dickerson
Hosted on Acast. See acast.com/privacy for more information.
Transcript
Click on a timestamp to play from that location
| 0:00.0 | Hello, everyone. Welcome to episode four of naval gazing. Season one, I'm John Dickerson. The entry that starts today's episode is 1016. It's from Notebook 75, page 8, September 2021. That's it, 1016. And we'd like to thank you for listening on our next episode, |
| 0:24.8 | four random letters read aloud. I kid. This entry is found in the tight terrain of just a few |
| 0:31.4 | pages of notebook entries that we've been looking at in the first three episodes of this series |
| 0:36.5 | of navel gazing. I almost called it nasal |
| 0:39.2 | gazing, which is an entirely different podcast. It's more probiscus forward. Though the collection of |
| 0:45.2 | notebooks fills boxes, we're sticking to this narrow territory. This entry is the one after |
| 0:50.7 | those about our dog, George, that oriented our last episode. We won't always go in |
| 0:57.1 | order. We'll zoom from entry to entry soon enough, pinballing through time, but I'm sticking to |
| 1:02.4 | the chronology for now. There is a benefit in being forced to make meaning out of chronological |
| 1:08.0 | order, forcing yourself to look longer than you might otherwise have. |
| 1:12.2 | That is the topic for this episode, finding wonder through noticing longer. |
| 1:24.0 | So far, the notebook entries from this period in the fall of 2021 have given us only things that are not there, our son's interruptions, ears of corn, the early morning rattle of dog's leash. |
| 1:36.8 | 1016, a single four-digit number, embedded in no surrounding context in the notebook, signifies the opposite, a new arrival in our life. |
| 1:48.6 | You see, during this period, we were moving apartments. |
| 1:51.9 | The living room in which this story started was not going to be our living room for much longer. |
| 1:56.8 | The sideboard, known for its ability to withstand a late afternoon arrow on a Sunday, would |
| 2:02.0 | be hauled a dozen blocks north and a few avenues east across the west side of New York |
| 2:07.0 | to catch whatever it was that might come through the window on Columbus Avenue. |
| 2:10.6 | So this period of transition in our life was not just theoretical or psychological. |
| 2:15.1 | Our collection of carbon and atoms would be transitioning to a new physical space. |
| 2:20.4 | The small ballet we all learned to get in and out of the spaces where we nest would disappear |
| 2:25.6 | and be replaced by a new set of practiced movements that structure our days. |
... |
Please login to see the full transcript.
Disclaimer: The podcast and artwork embedded on this page are from Slate Podcasts, and are the property of its owner and not affiliated with or endorsed by Tapesearch.
Generated transcripts are the property of Slate Podcasts and are distributed freely under the Fair Use doctrine. Transcripts generated by Tapesearch are not guaranteed to be accurate.
Copyright © Tapesearch 2026.

