Hey, what's up?

Hey, how's going?

Yeah, so as I was just saying, realizing that your mic was unplugged,

is that I had to come down here yesterday or Tuesday and do a voiceover for Moss Adams.

It was for like an internal training thing.

But it's like a 10 minute video, which is the longest voiceover I've ever done for Moss Adams.

And I mean, I think they mostly just pick me because I have the equipment, you know,

so I can make a recording that sounds okay.

It's so funny, first of all, how much I stumble over my words once I put the microphone in

front of me and I know the people are going to be listening to it.

You should sue them for trauma because it's like I had a stroke and you still roll me out to do this

voice shit knowing that I could barely string two words together and make a clear and thought.

And I basically do like I don't give them a bunch of takes. I just do one and like this is the one you're getting.

This is like Frank Sinatra.

Do you hear about this?

No.

When he died, I remember hearing all these stories. Like people went on Larry King to talk about him. Yeah. And my mic sounds like low to me in my ears. It sounds okay to me. It looks okay on. Okay. Yeah. but he would he would like he would do a take

I wanted your voice to be a little bit lower than mine

yeah as it should be yeah

he does a take in a movie. I wanted your

voice to be a little bit lower than my. Yeah, as it should be. Yeah. Um, he does a take in a movie.

Uh-huh. And then the director's like, resetting the cameras. Yeah. And Frank's like, what are you doing? The director's like, resetting it for the next, next take. And he's like, you didn't, You're only paying me for making one movie.

...