So when you insert the money in a dip and dunk booth, it changes the camera.

There's a little red light that that first way can always be the most awkward one.

And it's four Canadian one dollar coins.

I think we can hear the transmission.

Yeah, we're mostly just hearing the motor.

We're mostly just hearing the motor like a chunk sound.

And there's a loud chunk sound.

The chunk sound, knife cuts the paper from the reel.

That's the loud chunk sound.

So when I go use a butterboot, usually I look around to make sure that there's no one else nearby.

And then I'm kind of like alone in that moment of the machine.

I'll back the curtain just the seat.

As soon as I walk into a photo booth, I really can notice that chemical smell.

Like gasoline.

I think about two and a half seconds between each frame.

It can kind of be like blinded.

If the sponge is a little bit like spotties, flex and the development of the pictures.

They mostly come out wet.

And when the photos come out, they're facing backward.

I feel like the picture fingers in this weird way.

The contrast is perfect.

Over exposed, gender exposed, super dark.

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