4.9 • 2.7K Ratings
🗓️ 5 January 2018
⏱️ 45 minutes
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0:00.0 | And we're back for part two of the photography podcast and this is probably the most important part |
0:06.8 | especially for big beginners which is how to actually you know come off of auto setting on your camera now |
0:13.9 | These are going to be as I talked about before kind of the |
0:17.6 | More or less redneck explanation of how this stuff works or how I've come to understand it the easiest and explain it the easiest |
0:25.8 | You know when you when you have |
0:28.8 | Most you know decent cameras. You're gonna have a setting for manual |
0:34.3 | Which is full manual and then you have a shutter priority setting and aperture priority setting |
0:40.6 | And I think there's like a program auto now you know for the most part I shoot everything in good lighting in aperture priority |
0:49.3 | I'm not gonna go into that yet because I need to explain how these things work, but you have on your camera three |
0:57.8 | Basic but very important adjustments you can make and those adjustments are your ISO |
1:03.4 | I don't know what that stands for, but you can look it up your shutter speed and your aperture setting or your f-stop |
1:12.0 | Those three things have to work in continuity with each other and the one thing that you want to remember is that you're trying to |
1:20.3 | When you're taking a photo you're trying to stop time and capture the moment not to get too girly about this |
1:27.9 | And when you're trying to do that especially in piss poor lighting situations |
1:33.6 | Auto will not stop time and capture the moment correctly |
1:37.6 | as well as it can once you learn how to adjust your settings and low light being the biggest variable |
1:44.7 | and |
1:45.7 | learning how to adjust these allows you to |
1:49.4 | to be able to stop those moments and |
1:53.0 | and |
1:55.0 | Represent them to whether it be social media friends and family or just yourself later on |
2:02.1 | To look like it did when you were looking at it with your own eye |
... |
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