meta_pixel
Tapesearch Logo
Log in
The Business of Fashion Podcast

Peter Hawkings on His Tom Ford Debut

The Business of Fashion Podcast

The Business of Fashion

Fashion & Beauty, Business, Arts

4.6770 Ratings

🗓️ 29 September 2023

⏱️ 35 minutes

🧾️ Download transcript

Summary

Tom Ford’s new creative director opens up to Imran Amed about his progression in the fashion industry and his first womenswear collection for the brand.


Background:


When Tom Ford started his namesake brand in 2004, his longtime deputy at Gucci Peter Hawkings was his first call — and his first employee. Fast-forward to April 2023, Hawkings’ phone rang again. Only this time, Ford said he was stepping down and putting Hawkings forward for the top job. 


“I didn't sleep for the first two nights. It was crazy,” Hawkings said of his reaction to the news that he would step into his longtime boss’ shoes and become creative director of the eponymous brand he created. “But after all of that subsided, I realised that Tom [Ford] was giving me the opportunity of a lifetime. And I am, to this day, super grateful to him for giving me this chance to continue the legacy.”


This week on The BoF Podcast, BoF founder and editor-in-chief Imran Amed sits down with Hawkings, the new creative director of Tom Ford following his runway debut at Milan Fashion Week to discuss his origins and journey into the fashion industry — and his plans to continue the Tom Ford legacy.


Key Insights:


  • It was in 1998 that Hawkings first met Ford, after finishing his master's course at Central Saint Martins. The then-24-year-old applied to the assistant menswear designer position at Gucci, where Ford was the brand's creative director. This would launch a 25-year partnership with the two designers and eventually lead to Hawkings becoming the creative director of the Tom Ford brand. 


  • Hawkings, who previously designed Tom Ford’s menswear collections, said that he leaned on his wife when designing womenswear for the first time. “It's been invaluable, you know, having that conversation with her. Her trying clothing on, trying shoes on … for me, it's so important, comfort and fit and all of those elements that are so important when you're designing for a woman,” says Hawkings. 


  • During Hawkings’ career, he had the opportunity to learn from not just Ford, but also other fashion talents, such as British designer Louise Wilson, who was one of his professors at Central Saint Martins. “I always go back … to the advice that Louise [Wilson] always gave me, which was one: work hard, absorb knowledge and give knowledge, understand what manners are and deploy them. Take risks. Failure is okay. You can learn from failure, for sure. Have at least one skill and develop it,” says Hawkings. 


Additional Resources:




Hosted on Acast. See acast.com/privacy for more information.

Transcript

Click on a timestamp to play from that location

0:00.0

Hi, this is Imran Ahmed founder and CEO of the Business of Fashion, or welcome to the

0:08.4

Bof podcast. It's Friday, September 29th. When Tom Ford started his namesake brand in 2004,

0:15.0

his longtime deputy at Gucci, Peter Hawkins, was his first call and became his first employee.

0:22.7

Fast forward to April 2023, Hawking's phone rang again, only this time Ford said he was

0:28.9

stepping down and putting Peter forward for the top job.

0:33.3

I didn't sleep for the first two nights. It was crazy. But after all of that subsided,

0:39.1

I realised that Tom was giving me the opportunity of a lifetime.

0:44.0

And I am to this day super grateful to him

0:47.6

for giving me this chance to continue the legacy of Tom

0:52.6

and keep his name at the level of what it should be.

0:57.1

This week on the BOF podcast, we share a conversation I had with Peter the day after his runway debut at Milan Fashion Reat

1:03.7

to discuss his origins and journey into the fashion industry and his plans to continue the Tom Ford legacy.

1:13.0

Here's Peter Hawking's on the BOF podcast. Peter Hawking's we are here ensconced in this Tom Ford bunker. The walls are

1:25.3

gray. The lighting is low. There's a poster on the wall of...

1:30.4

Lighting is so important to me.

1:32.4

Yeah, I know. And it was to your former boss as well.

1:35.3

I know.

1:35.9

I remember the first time I met him, we were at Claritges and he wanted to sit somewhere else in a restaurant because he did like that though and I'm sure it was

1:45.7

because there was overhead lighting he did not like it well suffice to say I feel like this bunker

1:51.0

it feels like I know because it's great it feels like Tom Ford and how would you describe that

1:57.3

advertisement on the wall it's an advertisement Summer, 18, and it was shot in

2:04.2

California, and it's a Rolls-Royce. It looks like the one. It reminds me of the one in the Thomas

...

Please login to see the full transcript.

Disclaimer: The podcast and artwork embedded on this page are from The Business of Fashion, and are the property of its owner and not affiliated with or endorsed by Tapesearch.

Generated transcripts are the property of The Business of Fashion and are distributed freely under the Fair Use doctrine. Transcripts generated by Tapesearch are not guaranteed to be accurate.

Copyright © Tapesearch 2025.