Asher says just down there.

What's your approach to playing 65 to 68,

Wayne Short of tunes as compared to American Songbook standards?

Peter, you do a great version of Infanize.

And I'm wondering what your thoughts are.

When people say Wayne tunes, I think what they're really talking about is non-functional harmony, right?

These series of usually like major 9, minor 11, some major minor 7 stuff stuff right yeah that doesn't seem on the surface

to have any relation to each other but as a whole really paints this beautiful abstract picture so

like when you do a tune like when you play a tune like infinize what's your approach well i think um i think that kind of

composition and i would say anything in terms of what ashore you know 65 to 68 way and

short like whatever we call sort of modern like is 1965 modern i don't know but you know modern

jazz standards i was almost call them like modern jazz compositions it's only 55 years ago

exactly um i think as as compared to to american song which standards i think an attention to detail

in how they're written is very important um this is not to say that like really learning standards correctly and the original

melody and the lyrics and stuff.

That's not to say that that's not important.

It's just I don't think we can bring that same mentality when we bring it to a

wane shorter composition because he crafted that song to be played in a,

in most likely a very similar instrumentation and ensemble sound

that we're going to play it, even if we're playing at solo piano or something.

So it's not to say that we can't take liberties with it, but there's so much more there

typically than like, say, Mac the Knife or something, where you know where you know you've got i think a little

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