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Master Photography

Overcoming A Failure To Save A Shoot

Master Photography

Master Photography Team

Technology, How To, Visual Arts, Arts, Education

4.81.5K Ratings

🗓️ 5 June 2020

⏱️ 46 minutes

🧾️ Download transcript

Summary

We All Fail As Photographers I want to be real in this episode.  We live in a world where information is highly curated and in some cases entirely staged.  Sort of like the beginning of the Jumanji movie where there is a female character who works extremely hard to get the lighting, environment, and angle just right so that she ...

The post Overcoming A Failure To Save A Shoot appeared first on Master Photography Podcast.

Transcript

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0:00.0

You're listening to the Master Photography Podcast. Welcome into the Master Photography Roundtable, part of the Master Photography Podcast

0:16.4

Network. You were doing by thousands of photographers listening to this show who are

0:20.0

on the scene, journey to master their photography I'm Jeff Harmon the host for this

0:24.1

episode I'm solo and I'm gonna get real and vulnerable and I'm gonna tell you about

0:31.2

a failure I had on a recent shoot.

0:35.0

Now, I've decided I wanted to be like real in this episode because I feel like we live in a world where information is is highly curated in some cases entirely

0:47.0

staged I'm talking about things like I love it in the beginning of of the Juman movie. There's this female character who works really, really

0:55.4

hard on lighting and environment and the angle of the camera and she works hard to get it just

1:01.4

right so she can take a photo to put on social media and

1:05.2

she comments with the photo just rolling out of bed as if like she just barely woke up and

1:10.3

took a snap of the photo. Totally staged it totally worked super hard. up and I feel like that's how we see

1:13.0

staged it totally worked super hard to make it look just the way she

1:16.8

wanted and I feel like that's that's how we see things a lot today.

1:22.4

From a photography perspective we tend see

1:25.0

only like the best finalized, fully processed images.

1:28.0

Finalized, fully processed images.

1:31.0

And photographers don't, they don't put out the images that didn't work, the

1:35.6

images that led to those images, the preceding ones. They don't publish shots

1:41.4

where everything else was perfect, but they missed focus.

1:45.2

They don't you don't see that we don't see the 300 other shots that came out of a shoot

1:50.9

with varying degrees of bad to okay to that pretty good. We only see the shots that are really good and that they can be really proud of And it makes sense as a brand for a photographer.

2:05.2

You don't want to put out those other things

...

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