4.8 • 1.1K Ratings
🗓️ 30 December 2021
⏱️ 15 minutes
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An Arm and a Leg wraps up a big year, and some of the team takes a moment to reflect. Consulting Managing Producer Daisy Rosario, Editor Marian Wang, and Associate Producer Emily Pisacreta join host Dan Weissmann in a conversation on why we make the show and what we look forward to doing in 2022.
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0:00.0 | Hey there. I want to introduce you to a few folks. Some of the people who make this show with me |
0:04.8 | because I use the word I a lot here, but I do not make this show by myself, which is why I sometimes |
0:10.4 | use the word we. As we wrap up a big year around here, I want you to hear some of the voices that |
0:16.0 | I'm listening to all the time that guide the making of this show. We got together a couple of weeks |
0:21.1 | ago on Zoom. I've got with me our consulting managing producer Daisy Rosario. Hello! Thanks for having |
0:27.0 | me, Dan. Thank you so much for being here and thank you for being part of this team. Our editor, |
0:31.8 | Marion Wang. Hello. And Emily P. Secretta, who joined as our intern really this year now our associate |
0:38.3 | producer, meaning you make the show with me. Hey Dan. I'm not going to play you all of our |
0:44.0 | conversation. Turns out hosting a conversation like that for a podcast is a whole skill. One that I |
0:49.4 | could still use some work on. I just want to give you a few highlights to give you a clearer |
0:53.3 | sense of how we make this show. This is an arm in the leg. I show about why healthcare costs so |
1:00.0 | freaking much and what we can maybe do about it. I'm Dan Weisman. I'm a reporter and I like a |
1:04.4 | challenge. So my job here is to take on one of the most enraging, terrifying, depressing parts of |
1:09.6 | American life and bring you a show that's entertaining and empowering and useful. And to do that, |
1:15.0 | I need a lot of help and guidance. Daisy Rosario has been with this show from the beginning. |
1:19.5 | Her title is Consulting Managing Producer, which is a title we made up. Here's what it means. |
1:24.9 | I was looking for an editor. I come from newsrooms having an editor as a partner to bounce story ideas |
1:29.6 | off of and draft and just everything. That's a must. And I started thinking if I were to make a show |
1:34.9 | like this, it's a public radio station. Not only would I have an editor, a boss, but my editor would |
1:40.5 | have a boss. Somebody we'd both meet with to get big picture guidance like beyond story to story. |
1:46.4 | What are we trying to achieve as a project? And how will we do it? I was like, I should definitely |
1:51.3 | have somebody in that role. And it was me. Yeah, I mean, it felt great from our first conversation. |
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