Oscar Sunday with Filmmaker Joachim Trier (‘Sentimental Value’)
Talk Easy with Sam Fragoso
Higher Ground
4.8 • 1.5K Ratings
🗓️ 15 March 2026
⏱️ 66 minutes
🧾️ Download transcript
Summary
To celebrate Oscar Sunday, we return to our talk with writer-director Joachim Trier!
We begin with guiding words from writer Philip Roth (7:20), how Trier arrived at his intimate new film Sentimental Value (8:40), and why he was drawn to father-daughter dynamics (his own, and others) in making this new project (10:00). Then, we talk about Joachim’s early observations growing up in Norway (25:00), why he prefers to be present with performers on set, rather than watching from a far-off monitor (32:00), and how he parlayed skating into his early work as a filmmaker (35:00).
On the back-half, Trier reflects on meeting longtime collaborator, screenwriter and director Eskil Vogt (37:00), the essayistic qualities of his sophomore film, Oslo, August 31st (40:00), and how that style fully solidified in Louder Than Bombs and The Worst Person in the World (42:00). To close, we revisit a recurring monologue in Sentimental Value (48:00), his last day on set with actor Renate Reinsve (50:00), and how director Martin Scorsese has inspired Trier to continue ‘stirring the sauce’ (56:00).
Original air date: November 30, 2025
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Transcript
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| 0:00.0 | This is Talk Easy. I'm Sam Forgoso. Welcome to the show. |
| 0:39.2 | Today, in honor of Oscar Sunday, my conversation with writer-director Joachim Trir. |
| 0:44.3 | We sat last fall around his latest film, Sentimental Value, when it opened in theaters. |
| 0:52.8 | Since then, the film has earned nine Oscar nominations, including Best Picture, Best Director, and Best International Feature Film. |
| 0:55.7 | If you haven't seen it, the movie centers on a Norwegian filmmaker, played by Stellin Scarsgard, who attempts to reconnect with his two |
| 1:00.2 | estranged daughters after the death of their mother, his ex-wife. Although the attempt is a little |
| 1:06.3 | selfishly motivated, Borg, who's the director that Scarscar plays, hasn't made a new film |
| 1:11.8 | in decades, and has a promising script he's ready to direct. And so, he offers the lead role |
| 1:17.7 | of the film to his daughter, Nora, played by Renata Rinesvei. She also came on her show last fall. |
| 1:24.2 | Renata plays Nora, a working actor in Oslo, and when she rejects her father's offer, |
| 1:30.0 | boardcast an American movie star played by L. Fanning to take her part. |
| 1:34.7 | Trir, too, comes from a pretty prodigious filmmaking family. |
| 1:38.7 | His grandfather was a celebrated director, his mother made documentaries, and his father worked |
| 1:44.0 | as a sound designer. He grew up in a way like a Norwegian Spike Jones, a skater-turned-fielmaker who channeled the kinetic energy of the former into the latter. And through six features with his longtime co-writer Esquil Vote, beginning with Reprise in 2006, he's built the body of work |
| 2:03.1 | often featuring young people trying to connect and make sense of their past. And so today, |
| 2:09.1 | we have a very meta-conversation about making movies, the years between the worst person in the |
| 2:15.0 | world and this new picture, his evolving relationship to work-life |
| 2:19.0 | balance, and his longtime collaboration with actor Renata Rines Faye. Speaking of, if you have not |
| 2:25.7 | listened to our episode with Renata, it was a really fantastic piece. I think it came out at the |
| 2:31.8 | end of November last year. It was kind of a two-part series with Joachim and her. |
| 2:37.3 | I think both of them work back-to-back as kind of like an A-side, B-side. |
| 2:41.5 | So if you have now seen the film since we released those episodes, |
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