Mr. Ives' Christmas
Oscar Hijuelos on the difficulty of writing a contemporary tale of faith.
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0:00.0 | You are a human animal. |
0:07.0 | You are a very special breed. |
0:11.0 | Or you are the only animal. |
0:15.0 | Who can think, who can reason, who can read? |
0:18.0 | Hello and welcome to Bookworm. |
0:20.0 | This is Michael Silverblatt. |
0:22.4 | Today, my guest is Oscar Iguelos. |
0:24.9 | His most recent book is Mr. Ives' Christmas, published by Harper Collins. |
0:30.2 | You, of course, know him as the author of the Pulitzer Prize winning the Mambo Kings play |
0:35.5 | Songs of Love, as well as the 14 sisters of Emilio Montez-O'Brien |
0:39.8 | and Our House in the Last World. |
0:44.1 | I wanted to begin by saying that it seems to me that each of your books has a key signature, |
0:52.4 | that in Mombo Kings, the tonalities were all going to be those of raunchy macho. |
1:01.8 | In the 14 Sisters, it was a kind of flirtatious and bubbly tone of love. |
1:10.7 | Here, grief and mourning are the, you know, the key |
1:15.6 | signature. And I wonder, you know, are these desires to discover the language of these emotions? |
1:22.6 | Yeah. It's funny. One of the first things I wrote in the book is, ironically enough, when I started discovering what the book was about, found Ives sitting in a church and meditating. |
1:38.0 | And in those moments, I felt sort of transported to a place that would give me the means to understand what someone like Ives, |
1:46.9 | not myself, would be privy to. |
1:50.0 | And I realized that, you know, his world, his way of looking at things, his language all came down to a sort of, |
1:57.9 | I don't know, blissful, painful, ecstatic, frightened meditation on, you know, |
2:07.7 | religion and also afterlife and notions like that and ordinary human pain. |
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