On To the Point, we try to make sense of the policy debates and the political sideshows on the campaign trail.

Neither party's agenda really aligns with who its coalition is today.

It was the dumbest speech I have ever seen in my life of covering politics.

When people walk into a voting booth, at the end of the day, they do say,

I really should vote for someone smarter than me.

I'm Warren Alney. To the Point has you covered for the 2016 campaign. Find the To the Point

podcast on KCRW's iTunes page. From KCRW Santa Monica and KCRW.com, it's the treatment. It's The Treatment.

Welcome to The Treatment.

You know, it's always interesting when you see somebody, an actor, with a really expressive face.

Generally, that's the kind of thing we see in comedy, turn to drama.

My guest, Olivia Weil, an actor, a really expressive face, has turned to drama again. She was last here

with the drama. She's here with her new drama, Medellan. First of all, thanks for coming back.

Thank you for having me back.

And first of all, tell the audience with the films about it's directed by its cinematographer Ribe Marano and that's I can sort of see that in the

film making sure yes Reed Morano is a very experienced DP she shot skeleton twins kill your

darlings frozen river little birds she's phenomenal and this is her first gig as a director

and she shot the movie, operated the camera,

and was the DP and directed, which was an incredible experience for us, the actors, because it

created this intimacy. The movie is about this couple, Luke Wilson and myself, whose child

goes mysteriously missing. And rather than focusing on the investigation of that mystery, the movie

cuts to a year later where we see these two parents spinning out of control in very different

ways. So it's more a psychological drama. It's more about that kind of unraveling than any sort

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