4.4 • 2.7K Ratings
🗓️ 16 April 2025
⏱️ 16 minutes
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0:00.0 | Hey, it's Ben here. Now, I am a self-diagnosed documentary addict. Unfortunately, Netflix is serving up some serious fare this month. |
0:09.0 | First up, streaming right now is Diamond Heist, which is a premium doc series produced by the doyen of Geesea pictures, Guy Ritchie. |
0:16.4 | It's the story of a plan to steal a diamond in a hall worth 350 million pounds but here's the thing it's |
0:22.4 | all told firsthand by the perpetrators themselves and the squad who foiled them it's presented |
0:28.4 | with all the trademark crash bang and wallop you'd expect and if you're still hungry for more |
0:33.9 | there's two other true stories coming to Netflix this month. Bad influence, the dark |
0:38.6 | side of kid fluencing, which is this doc that tells some unsettling truths about child influences |
0:44.1 | via the story of viral star named Piper Raquel and Oklahoma City bombing, American Terror, |
0:50.6 | all about the tragic events in Oklahoma back on April 19, 1995. |
0:55.7 | Now, you're not going to get this selection anywhere else, so start streaming today on Netflix. |
1:00.8 | Hello and welcome to Now and Ben, where our super sub-Benzh, |
1:04.9 | brings you extra nuggets of guest interview goodness. |
1:07.8 | This time, Ben chats to Black mirror creator Charlie Brooker to celebrate the |
1:11.8 | sci-fi anthology's seventh series and Emma Corrin, star of its third episode, Hotel Reverie. |
1:18.6 | They talk tech dystopia, the shipping forecast and bowling. Keep your eye on the take feed for |
1:25.4 | these interview treats every now and Ben. |
1:29.2 | I'm here with Charlie Brooker and Emory Corrin. |
1:32.1 | Charlie, let's start with you, because I'm just wondering how you felt when you picture |
1:37.5 | locked on the very last frame of the very last episode you worked on in this new series. |
1:43.9 | I probably needed the toilet or something. |
1:46.7 | Probably something like that. |
1:48.0 | Probably something really unglamorous like that. |
... |
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