Well, as usual, I had a choice of topic between Doge tariffs and SpaceX, but I decided, hey, let's try something new.

Let's talk about somebody who's pushed the limit of human potential beyond anything that anybody thought was possible.

And in this case, we're talking about, wait for it, drumming.

Hi, everybody. I'm Bill Little here with Steve Green and Scott Ott, and I know this is an unusual topic for us at right angle, but every now and then we try to throw in something eclectic just to get off of the grind.

Gentlemen, there are very few opportunities that we have to see a kind of a human ability that has surpassed what previous experts in the art have done

to a degree where you simply go, this is superhuman.

I can't believe it.

Now, let me just tell you why I'm interested in drumming.

I took several drumming lessons back in the mid-90s, and after many months of dedicated hard work

and study and practice on my part, I achieved the level of drumming that I think probably

would most fairly be described as remedial.

The big honor.

Our friend Alfonza-Rachel, on the other hand, is a superb drummer.

And there's been an ongoing discussion, as with anything, in terms of basketball or whatever.

Who's the goat?

Who's the greatest of all time?

Was it, Buddy Rich?

I'm a Stuart Copeland fan, myself, and so on.

But about a year ago, I started seeing videos from a drummer.

He's a Latin American fellow.

His name is El Estepadio Sabiriano, which means the Siberian steppe, which is a rather evocative

name.

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