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NOCTURNAL TRANSMISSIONS : dark tales, both old and new, performed by voice artist Kristin Holland

NOCTRANS Ep 28 - 'An Occurrence at Owl Creek Bridge'

NOCTURNAL TRANSMISSIONS : dark tales, both old and new, performed by voice artist Kristin Holland

Kristin Holland

Scifi, Sciencefiction, Saki, Kristin, Chilling, Sublime, Scarystories, Terror, Dramatisation, Voiceacting, Horrorstories, Edgarallanpoe, Classicliterature, Classichorror, Shortstories, Stories, Lovecraftian, Darktales, Poe, Avoicefromdarkness, Chillingtalesfordarknights, Kristinholland, Shorthorrorstories, Horrorstory, Gothic, Holland, Evilidol, Cosmichorror, Narration, Scary, Lovecraft, Nocturnaltransmissions, Audiobook, Creepypasta, Creepy, Fiction, Shorthorrorstory, Horror, Macabre

4.8676 Ratings

🗓️ 15 May 2018

⏱️ 32 minutes

🧾️ Download transcript

Summary

One of American literature's greatest short stories with a decidedly spooky twist. Nocturnal Transmissions is proud to present - Ambrose Bierce's 'AN OCCURRENCE AT OWL CREEK BRIDGE'

Transcript

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0:00.0

Hello, gentle listener, and welcome to Nocturnal Transmissions, the fortnightly podcast that brings you dark tales both old and new, performed by voice artist Kristen Holland.

0:24.6

This episode will be sharing a tale with you from the great American writer Ambrose Beers.

0:32.1

However, before we get to that, a quick reminder that nocturnal Transmissions is now on Instagram.

0:42.9

If you'd like to follow us, just search on Instagram for Nocturnal Transmissions,

0:48.7

or find the link on the home page of our website, Nocturnal transmissions.com.com.a.u. You may even like to follow

0:58.9

our official mascot, Ponyo the Carpathian Hellhound. Nocturnal Transmissions's very own

1:08.0

fuzzy minion. Keep up with all her dark doings on her Ponyo the Carpathian Hellhound page.

1:18.6

All right, episode 28, Nocturnal Transmissions is proud to present Ambrose Beers'

1:29.6

An Occurrence at Owl Creek Bridge.

1:41.1

An occurrence at Owl Creek Bridge by Ambrose Pierce

1:46.0

Chapter 1

1:49.1

A man stood upon a railroad bridge in northern Alabama,

1:56.8

looking down into the swift water twenty feet below.

2:03.5

The man's hands were behind his back,

2:11.3

the wrists bound with a cord. A rope closely encircled his neck. It was attached to a stout cross timber above his head, and the slack fell to the level of his knees. Some loose boards laid upon the ties supporting the rails of the railway

2:20.7

supplied a footing for him and his executioners,

2:24.1

two private soldiers of the Federal Army,

2:26.7

directed by a sergeant who, in civil life, may have been a deputy sheriff.

2:32.2

At his short remove upon the same temporary platform was an officer in the uniform

2:37.8

of his rank, armed. He was a captain. A sentinel at each end of the bridge stood with his rifle

2:47.0

in the position known as support. That is to say, vertical in the front of the left shoulder,

2:53.0

the hammer resting on the forearm thrown straight across the chest. A formal and unnatural

...

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