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Nock On Archery

Nock On PC 40

Nock On Archery

Nock On Podcast

Sports, Sports:wilderness, Wilderness

4.82.2K Ratings

🗓️ 14 May 2015

⏱️ 71 minutes

🧾️ Download transcript

Summary

Nock On PC 40 Covers Yoke tuning, Pro Staffers, Peeps, Hip Hitchers, Grip Slippers, Draw Length, My Mouth Tab setup, Arrow Tuning, Broadhead Tuning, Shooting with ADrrenalin, Axle Lengths, PB&J sanwhichs and GRIZZLY BEARS!

Transcript

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0:00.0

Welcome to Knock-On Podcast where we bring you archery information and education that

0:07.1

you can trust.

0:08.6

Knock-On was created as a way to bring all archers together regardless of the brand you

0:13.1

choose or the style of archery you shoot.

0:15.8

Knock-On Podcasting will deliver professional insights to the latest gear, proper shooting

0:20.5

technique along with high-level equipment setup and tuning.

0:26.4

Okay, so we're right back at it where we left off last time.

0:31.7

We're going to pick up with a question here from Jeremy Cheek.

0:36.0

He's asking about yoke tuning, which is where your cable splits and makes a Y.

0:42.8

You call that the yoke cable.

0:44.9

He says yoke tuning at rest, meaning while your bow is at rest or versus full draw.

0:52.1

And arrow knock effect and arrow knock effect on arrow flight speed knock versus factory

1:06.8

knock.

1:08.5

So a couple questions here.

1:10.6

But first off, when it comes to yoke tuning, anytime you have a bow you want to make

1:16.6

sure I always check my bows while they're full draw.

1:21.4

I like either the top cam or the top wheel to be totally vertical at full draw.

1:29.0

I like the string and cable to track perfectly down that track.

1:34.0

So especially when I set up a new set of strings and cables, I'll draw that bow back and

1:40.5

look at that bow from behind it at full draw and I'll look at my cam lean and my angles.

1:47.3

And then I'll go ahead and twist up how I need to in order to make it work.

1:53.2

When you're looking at it from the back, if the wheel is leaning to the left and by the

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