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Desert Island Discs

Nigel Hawthorne

Desert Island Discs

BBC

Society & Culture, Music Commentary, Music, Personal Journals

4.413.7K Ratings

🗓️ 30 November 1986

⏱️ 33 minutes

🧾️ Download transcript

Summary

Nigel Hawthorne is now very well-known as Secretary to the Cabinet in the television series Yes, Prime Minister. In conversation with Michael Parkinson, he talks about his childhood in South Africa, dropping out of Cape Town University to become an actor, the move to England, the Theatre Royal, Stratford East with Joan Littlewood and eventual fame.

[Taken from the original programme material for this archive edition of Desert Island Discs]

Favourite track: Her Holle Rache (The Magic Flute) by Wolfgang Amadeus Mozart Book: Teach yourself French Luxury: Pencil and paper

Transcript

Click on a timestamp to play from that location

0:00.0

Hello, I'm Kirstie Young, and this is a podcast from the Desert Island Discs archive.

0:05.0

For rights reasons, we've had to shorten the music.

0:08.0

The program was originally broadcast in 1986, and the presenter was Michael Parkinson. It was once said of our castaway that he spent the first 20 years of his career being ignored

0:35.2

and the next 10 being discovered. It took one television program, yes minister, to make him

0:40.3

in the words of the old showbiz joke, an overnight success after 30 years in the business.

0:45.0

The part of the devious civil servant Sir Humphrey Appleby has one in both critical and popular acclaim.

0:51.0

In short, he's become a star. He is Nigel Hawthorne.

0:55.0

Nigel, did you ever imagine when you read the script of Yes Minister for the first time that it would

0:59.8

so transform your life?

1:01.8

No, I don't think so because I think when I read the script and

1:05.8

we did one to start with it was a pilot. I was very aware of the quality of the

1:10.4

writing. I never thought it would go and certainly Paul and I when we discussed

1:14.8

it, thought it was just a one-off anyway and we didn't know until we were about four days into rehearsal

1:21.8

that the BBC was going to make a series of it and I don't

1:24.8

think they decided. So I certainly didn't think that. It did transform my life but

1:30.4

because it's been done so gradually you know we don't do one a year, we do one every so often

1:36.0

when the writers really feel that they have something to say.

1:39.0

So it hasn't really taken over my life as such, but it is the thing that people know me for.

1:44.8

It must have changed to the extent that you become recognised in the street now after years

1:48.8

of being fairly non-imous in your

1:53.7

craft and I suppose also too it's opened up all kinds of other offers

1:54.4

I suppose yes and the danger is that people offer you the same sort of yes a

...

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