New Albums By Zac Brown Band and Tyler Farr

Popcast

The New York Times

Music Commentary, Music, Music Interviews

3.4 • 1.7K Ratings

🗓️ 23 March 2018

⏱️ 22 minutes

🔗️ Recording | iTunes | RSS

🧾️ Download transcript

Summary

Joe Coscarelli and Jon Caramanica discuss records from country dissenters and what, if anything, country’s borders mean anymore.

Transcript

Click on a timestamp to play from that location

0:00.0	I'm Joe Coskereli and you're listening to the New York Times pop-cast, your dusty
0:11.0	baseball cap of music news and criticism.
0:13.6	I got a piece of land out in the countryside
0:18.7	lay back and smell the sun.
0:21.0	Warm up the Georgia pie
0:23.0	so good to be taking it easy
0:27.0	why would I ever leave
0:30.0	because I know I got some good friends that lived down We were just listening to Zach Brown band,
0:35.0	Homegrown from their new album,
0:38.0	Checkle and Hyde.
0:42.0	Plus Hyde, excuse me and Hide? Plus Hide.
0:43.0	Checkle Plus Hide.
0:45.0	Yeah. I bet a lot of thinking when a lot of meetings probably went into the,
0:50.0	using the plus sign as opposed to an Amper Sam.
0:52.0	Yeah, what does it signify to you?
0:54.0	Zach Brown would like you to think that he's something he's not, which is clever.
0:58.4	We're here with John Caramonica, pop critic at the New York Times.
1:01.6	For now. It depends how this goes, I suppose. John, tell us
1:08.8	about this new Zach Brown record. Yeah, well, as with all artists with an oove of this size, you really can't talk about
1:18.1	the new Zag Brown record without talking about OG Zag Brown records. So let's go back eight, nine years.
1:26.0	Zag Brown was doing sort of the southern touring circuit, you know,
1:30.2	colleges. And Zag Brown Band is not, I mean we were talking about a country group right now, but
	...

Please login to see the full transcript.

Previous episode | Next episode

Disclaimer: The podcast and artwork embedded on this page are from The New York Times, and are the property of its owner and not affiliated with or endorsed by Tapesearch.

Generated transcripts are the property of The New York Times and are distributed freely under the Fair Use doctrine. Transcripts generated by Tapesearch are not guaranteed to be accurate.