Kacey Musgraves and Ashley McBryde, Country Traditionalists With a Twist

Popcast

The New York Times

Music Commentary, Music, Music Interviews

3.4 • 1.7K Ratings

🗓️ 30 March 2018

⏱️ 58 minutes

🔗️ Recording | iTunes | RSS

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Summary

Two new albums put a spotlight on Nashville’s ongoing, agonized relationship with female performers.

Transcript

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0:00.0	Welcome to the New York Times
0:00.9	Popcast, your disco floor break-ups that didn't break us
0:04.5	of music news and criticism.
0:06.4	I'm your host, John Caramonica.
0:07.8	I bet you think you're John Wayne
0:11.4	showing up and shooting down everybody
0:15.0	You're classic in the wrong way
0:19.0	And we all know the end of the story
0:22.8	because everyone knows We all know the end of the story
0:27.6	because everyone knows someone who kills the buzz every time they open up their mouth
0:31.7	yeah everyone knows someone, and know someone, and things are cooler than everybody else.
0:38.0	And I think we keep seeing enough, seen enough.
0:42.0	To know that you ain't never gonna come down so why don't you get you up get you up
0:49.0	get you up
0:50.1	and ride straight out of this town you and your horse.
0:57.0	You and your horse.
0:59.0	Mmm.
1:02.0	You and your horse. You are listening to Daph country of Casey Musgraves.
1:16.5	That is a song called High Horse,
1:19.3	probably a double entendra, I would guess.
1:22.8	From her latest album, Golden Hour,
1:24.6	which is out today being Friday.
	...

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