New Albums By Mitski And Olivia Rodrigo
Indiecast
Amazon Music
4.6 • 621 Ratings
🗓️ 15 September 2023
⏱️ 57 minutes
🧾️ Download transcript
Summary
Those following the Fall Albums Fantasy Draft are probably aware that Steven is off to a big lead, as Olivia Rodrigo's Guts (his no. 1 pick) is already one of the year's best reviewed albums. But how do Steven and Ian feel about it? After a mini "Sportscast" episode featuring a surprisingly contentious debate about NFL vs. college football (7:19), the guys get into the album (19:11). Here's the verdict: the "bubblegum rock" half of the record is really fun. But there are also a ton of melodramatic ballads with intense theater kid energy that are... less fun. Why are critics overlooking the weaknesses of Guts? And is it possible that Rodrigo is more of a singles artist than an album artist?
You know who is an albums artist? Mitski. While Steven wasn't a fan of her previous record, 2022's Laurel Hell, he loves her latest work, The Land Is Inhospitable And So Are We, which he considers one of the very best albums of the year (39:00). Ian also likes The Land, though he still prefers her mid-2010s punk/emo era to her current soft rock incarnation.
In Recommendation Corner, Ian talks up the latest album by the Chemical Brothers while Steven stumps for the new Wild Pink side project, Lilts.
New episodes of Indiecast drop every Friday. Listen to Episode 154 and subscribe wherever you get your podcasts. You can submit questions for Steve and Ian at indiecastmailbag@gmail.com, and make sure to follow us on Instagram and Twitter for all the latest news. We also recently launched a visualizer for our favorite Indiecast moments. Check those out here.
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Transcript
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| 0:00.0 | Indycast is presented by Uprocks' Indie Mix tape. |
| 0:12.8 | Hello everyone and welcome to Indiecast. |
| 0:14.8 | On this show, we talk about the biggest indie news of the week, we review albums, and we hash out trends. |
| 0:19.6 | In this episode, we talk about new albums by |
| 0:21.7 | Mitzki and Olivia Rodriguez. My name is Stephen Hayden, and I'm joined by my friend and co-host. |
| 0:27.6 | He's indie cast's new Taylor Swift reporter, Ian Cohen. Ian, how are you? I mean, we've held a lot of |
| 0:34.6 | beats in our lifetime. You know, there was a time in M say, 2011 or 12 where I was, like, covering every wave |
| 0:41.7 | side project for pitchfork and then, you know, covering every Das Racist side project. |
| 0:47.5 | So this is really nothing new to me, you know, it's just, it's just a matter of size and scale. |
| 0:52.0 | So we should clarify for those out there who are not in media circles and social media. |
| 0:58.1 | There was a post that went up this week from the Tennessean, which is the Daily newspaper in Nashville. |
| 1:05.0 | And it's a job opening for a Taylor Swift reporter, someone who only reports on Taylor Swift. |
| 1:13.7 | And this is in a town that is an, it's an industry town, Nashville, obviously, country music. |
| 1:20.2 | I assume that there will be someone also covering the rest of the music industry in Nashville. |
| 1:25.9 | But Taylor Swift now is so much her own nation state and pop music that you have to have a reporter |
| 1:34.0 | in one of America's big industry towns covering her exclusively. |
| 1:40.4 | And of course, this news, it prompted a lot of gnashing of teeth among the music writer community. |
| 1:47.7 | How can this be? |
| 1:48.5 | How can there be a person only reporting on Taylor Swift? |
| 1:52.5 | I'm surprised that this didn't already exist in a way. |
| 1:56.2 | Because especially in Nashville, I mean, Taylor Swift is big enough as a cultural force, as a financial money machine, all of it, |
| 2:07.6 | to justify this kind of coverage. |
... |
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