Everybody, I want you to think of a crab.

Oh, a crab?

Yeah, think about a crab.

Done.

You don't have to always thinking about that.

Done.

Nice.

I'm glad we all went to a happy place there.

That was it.

I just wanted you all to think of a crab.

That's the intro.

Let's play blades in the dark.

Yeah.

Amazing.

Yeah. What did you think was going to happen, Kat? Well, okay, genuinely, what I have been thinking about lately because I have a lot of time on my hands right now. I think we don't need to discuss it anymore.

No, I was going to play. Listen, there's a theory I learned about in literary theory class way back in college.

Carsonization. Yeah, but no. But basically like, listen, when I think about a crab, I'm not going to think about the same thing that you're going to think about when you do about a crab. Right. So I just wanted us all to think about our own ideal crab. Okay. Like, what is your platonic ideal of a crab? What if it's our romantic ideal of a crab? I mean, that's fine, too. If you have a romantic ideal of a crab, because, like, my... Sexual ideal. If I think about a crab, I'm thinking about, like, a little guy. Mm-hmm. But not, like, a little guy, but, like, maybe the size of, of like a, I don't know, like a saucer.

Like a tea saucer.

Yeah, I have a very specific crab in mind.

Yeah. And he's like, and he's red.

Oh, no, you guys.

What?

...