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Unspooled

Network

Unspooled

Paul Scheer & Amy Nicholson

Film Reviews, Tv & Film

4.55K Ratings

🗓️ 29 August 2019

⏱️ 88 minutes

🧾️ Download transcript

Summary

Amy & Paul surf through 1976's Sidney Lumet TV news satire Network! They explore how writer Paddy Chayefsky came up through the TV trenches, listen to modern media figures who took inspiration from Howard Beale, and ask if the film has become too real to work as satire. Plus: Orphan Black's Tatiana Maslany talks about what it was like to reprise the Diana Christensen role onstage. If you haven't seen Lawrence Of Arabia, what do you think it's about? Call the Unspooled voicemail line at 747-666-5824 with your answer! Follow us on Twitter @Unspooled, get more info at unspooledpod.com and don’t forget to rate, review & subscribe to us on Apple Podcasts. Photo credit: Kim Troxall This episode is brought to you by M&Ms Hazelnut and Hawthorne Men’s Products (www.hawthorne.co code: UNSPOOLED). Learn more about your ad choices. Visit megaphone.fm/adchoices

Transcript

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0:00.0

The year is 1976 and a crusty but benign TV newsman crosses paths with a beautiful girl TV producer

0:08.8

Who wants to make news entertainment the movie network

0:30.0

Welcome to unspooled. I am Paul Sheer. I'm Amy Nicholson and this is the podcast where we watch one film from the A.F.I's top

0:39.7

100 films of all time list to find out if they are really as good as people say do they hold up and how have they

0:46.0

influenced the filmmakers of today. This week we'll be talking about network last week

0:50.5

We were talking about the Philadelphia story a movie that surprisingly had some BDE that you didn't even know about

0:56.2

But no you do you I want to actually start with a bit of a me a couple because I was ragging hard on the Carrie Grant character

1:03.0

For not I think having an arc for showing up and being like love me

1:06.0

Yeah, you have to change Catherine Hepburn and many people pointed out that I was not giving full credit to the absence of a change

1:12.3

That Carrie Grant's character had changed before he ever showed up that he had given up drinking as part of his apology

1:18.4

And I get it like we don't ever really see him drinking before in the flashback when he stomps out

1:23.2

I don't know I mean maybe like it doesn't kind of that the arc happens outside of the film

1:29.2

But that he at least had changed for love and I was like he just acts like he only she has to change

1:34.8

I mean so they did a little bit of work

1:36.8

So I guess when he is talking about reading books to keep him sober

1:40.5

He is kind of reflecting back on the change. We just kind of meet him a little bit maybe if it's that of breaking like a golf club

1:46.3

She had broken a whiskey bottle. I wouldn't be so dumb. All right. Well, you know to this point Josh Ferguson says I agree grant

1:53.2

Isn't as most charming, but maybe that was a choice. You know, he's not trying to win Hepburn back

1:57.4

He's trying to make her stumble and he's a steward to do it to charming and maybe she just runs back to him without growing

2:04.4

That I kind of disagree with because I think he is protecting her

2:07.9

I don't think he's trying to win her back per se I think I can see him as like a minitar in the middle of a maze

2:14.3

knocking down all the walls being like she got to come back over here eventually well, I also kind of see

...

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