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| 0:00.0 | You are a human animal. |
| 0:07.0 | You are a very special breed. |
| 0:11.0 | Or you are the only animal. |
| 0:15.0 | Who can think, who can reason, who can read? |
| 0:18.0 | Hi, this is Michael Silverblad, and welcome to Bookworm. Today, my guest is |
| 0:22.6 | Ned Roram, a composer and diarist, most recently memoirist, author of Knowing When to Stop, a memoir |
| 0:32.1 | published by Simon & Schuster recently. I thought I'd begin in media race as it was. I seemed to remember that |
| 0:40.5 | Paul Boles' diary was called Without Stopping. And I wondered if yours was in some crazy, unconscious |
| 0:48.2 | way a response to that title. |
| 0:51.6 | It wasn't a diary, in fact, it was a memoir, too. |
| 0:54.9 | And if it were unconscious, of course, I wouldn't know. |
| 0:58.1 | But, yes, it did occur to me. |
| 1:00.7 | And the... |
| 1:04.6 | But there is no relationship as far as the meaning, because his title comes from Alice in Wonderland. |
| 1:14.6 | You have to run very fast to be able to stay in one place and therefore says the Red Queen |
| 1:20.2 | to the White Queen. |
| 1:22.4 | And my title comes, which may subconsciously have been influenced by Paul Bowles, who has been not without |
| 1:30.0 | influence in both my life and my music. But I feel that every work of art knows when to stop, |
| 1:39.9 | and insofar as a work of art is inimitable, |
| 1:48.6 | and that the artist, be it a sculptor, |
| 1:52.4 | or be it Michelangelo or Stravinsky or Beethoven or Henry James, |
| 1:54.6 | there's not a word too many or too few. |
... |
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