4.8 • 9.2K Ratings
🗓️ 11 December 2025
⏱️ 64 minutes
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| 0:00.0 | I'm Wesley Morris and this is Cannonball. |
| 0:06.8 | Today, lights. |
| 0:09.6 | Camera. |
| 0:11.4 | Acting. |
| 0:31.1 | It's the end of the year, and if you're a certain kind of critic, that means you're summing up the whole thing with the best of the year list. |
| 0:33.2 | I love lists. |
| 0:38.3 | I love superlatives, and yet sometimes a plain old best isn't quite cutting it. |
| 0:40.0 | For one thing, it's vague. |
| 0:42.2 | Best actor? |
| 0:43.2 | Okay. |
| 0:43.9 | Talk to me about what best is doing here. |
| 0:46.7 | And so, the New York Times Magazine has this annual tradition |
| 0:49.8 | that we call great performers, |
| 0:52.2 | where every year I watch as many people acting in movies |
| 0:55.1 | as my eyes can handle. |
| 0:57.2 | I think it's probably even more than that, honestly. |
| 1:00.1 | And I think about what exactly is making the best one so great. |
| 1:04.8 | What is the best way of explaining what's going on |
| 1:07.6 | with how excellent this one performance is? |
| 1:10.8 | The last time we did this, for instance, I thought Margot Robbie's performance in Barbie |
| 1:15.7 | wasn't best actress. It was Best Nervous Breakdown. And the guy who played Ken, Ryan Gosling, |
| 1:22.8 | I gave him not Best Actor, but Best Theft of a Movie, because he kind of stole that thing. And this |
... |
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