D’Angelo and the Power of Last Albums
Cannonball with Wesley Morris
The New York Times
4.7 • 9.4K Ratings
🗓️ 4 December 2025
⏱️ 47 minutes
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Transcript
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| 0:00.0 | I'm Wesley Morris and this is Cannonball Today. |
| 0:11.4 | What are these three albums have in common? |
| 0:13.2 | Double fantasy, in utero, back to black. |
| 0:28.7 | In the week since DeAngelo died, I've been doing what people do when they hear that an artist has died. |
| 0:30.8 | I listened to his music. |
| 0:36.7 | He has three superb, differently superb albums, Brown Sugar from 1995. |
| 0:48.3 | You're my name, voodoo, which came out in 2000. |
| 0:58.6 | This is the one that's considered the masterpiece. |
| 1:05.5 | It's also the album that's synonymous with what the popular imagination reduced this man to. |
| 1:06.8 | A six-pack? |
| 1:08.5 | We all know the video. |
| 1:18.6 | It's nothing but a camera inching closer and closer to him and his abs as he sings to us naked. |
| 1:31.7 | It's a miracle that the video didn't actually ruin our appreciation of how good the whole record is. |
| 1:40.3 | But for me, the album that I keep coming back to is the last one, the one that came out in 2014, 14 years after voodoo. |
| 1:41.7 | Black Messiah. |
| 1:47.4 | Let your day slip away. |
| 1:49.9 | Come with me and cry. |
| 1:53.4 | For one thing, it's a turning point album. |
| 1:58.4 | The man singing it no longer wants to sound only sexy. |
| 2:01.5 | He sounds contemplative, in pain, unsure. |
| 2:17.6 | He was thinking about what it means to be a man and a lover, but also an African-American and a citizen, |
| 2:20.3 | and a spiritual descendant of the Black Power movement. |
... |
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